Movies
[Box Office] ‘Midsommar’ Eclipsed by Clutter, Still Opens On Par with ‘Hereditary’
Hereditary director Ari Aster‘s cult following wasn’t strong enough to brainwash people into theaters for his Midsommar, which managed only $10.9M over the holiday weekend.
“Cult” is the appropriate word here as I’m not quite sure A24 expected more from their overly long arthouse horror film that had the displeasure of opening against Marvel’s Spider-Man: Far From Home and going up against Toy Story in its third week of release, not to mention both Child’s Play and Annabelle Comes Home, which all ended up stealing the market from one another. Horror can work in the summer, but not when there’s clutter spreading the money across several releases.
Midsommar‘s (read our review) budget is reported at under $10M, which helps soften the blow if the film doesn’t manage a strong international release. With that said, it won’t take much for this film to trickle into the profit zone and I’m positive A24 isn’t sweating it. Hereditary opened to insane, over-the-top hype and only managed $13.5M in its opening weekend. The $10M here doesn’t come as a surprise to this writer, especially when Annabelle Comes Home only conjured up $20M in its opening. Anyone writing Midsommar‘s numbers off as a “flop” doesn’t know what the hell they’re talking about.
Speaking of Annabelle Comes Home (read our review), the third film in the Conjuring spinoff franchise managed another $9.75M in its second week of release. It currently sits at $50M here in the States with a global total of $134M. Ironically, the film is struggling to muster up half of that of Annabelle: Creation. Even so, the franchise is hugely profitable and we should expect several more Conjuring films over the years.
As for Chucky and Orion’s Child’s Play (review) reboot, the film was slashed by 66% and added a measly $1.4M as it works its way out of theaters. With $26.8M here in the States and still no international numbers to account for, it’s becoming debatable as to if Orion moves forward on a sequel. In fact, the numbers are dwindling quicker than expected and may fall short of the $30-$40M domestic projection. With Orion rarely reporting international numbers, I can only assume they pre-sold territories for the release. Those unreported numbers will dictate how much of a hit or miss the new take actually was.
Next up is Paramount Pictures’ Crawl. Their Pet Sematary remake was a huge hit, can this Sam Raimi-produced/Alex Aja directed thriller take a bite out of the box office next weekend?
Brendan Fraser is back for the upcoming fourth installment in The Mummy franchise from directors Radio Silence, and Michael Johnston (Obsession) is now in talks to join him.
The Hollywood Reporter lets us know tonight that Michael Johnston is in “early talks” to join The Mummy 4, which will release in theaters on October 15, 2027 via Universal.
Brendan Fraser, Rachel Weisz, and John Hannah will reprise their iconic roles as Rick O’Connell, Evelyn O’Connell, and Jonathan Carnahan in the upcoming movie.
Radio Silence duo Matt Bettinelli-Olpin & Tyler Gillett (Ready or Not, Scream 5-6) are directing from a script by David Coggeshall (Orphan: First Kill).
Plot details are being kept under wraps at this time, but the brand new sequel is expected to disregard the events of the third movie, in which Rachel Weisz did not appear.
“It’s just really beautiful and scary and sweeping, and it’s awesome,” Gillet teases. Bettinelli-Olpin adds that the film “has all of the heart and the character that you could hope for.”
A remake of the classic Universal monster movie that took an action-adventure approach, The Mummy was released in 1999 and grossed $417 million worldwide. It was followed by The Mummy Returns in 2001 and The Mummy: Tomb of the Dragon Emperor in 2008.
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