Movies
March Mayhem: 23 Horror Movies, TV Shows and Games Debuting in March 2020!
If you thought you could sleep easy during the month of March, think again. There’s a veritable cavalcade of creepiness heading your way over the next four weeks, so get your calendars ready because you won’t want to miss any of these horrifying movies, TV shows and video games!
The tidal wave of new horror starts rolling on March 5, with the debut of Castlevania: Season 3 on Netflix, continuing the violent animated adventures of Alucard. Then get out of the house on March 6, when Max Pachman’s Beneath Us debuts in theaters. The new horror thriller stars Lynn Collins, and tells the story of undocumented workers held prisoner by a wealthy American couple.
Or, if you absolutely must stay home on March 6, you can also enjoy more tales of terror on streaming. Crawlers, the latest episode of Hulu’s Into the Dark, a monthly series of horror movies centered around popular holidays, injects some alien body-swapping into your St. Patrick’s Day. Over on Netflix, the Spanish serial killer thriller Twin Murders: The Silence of the White City makes its debut.

Into the Dark: Crawlers
And, of course, the horror/fantasy anthology series Amazing Stories makes its long-awaited return on March 6, after decades on hiatus. Subscribers to Apple TV+ will get brand new episodes from directors like Sylvain White (Slender Man), Susanna Fogel (The Spy Who Dumped Me) and more.
Head on over to Shudder on March 12, because that’s when the supernatural thriller The Room debuts. The thriller is about a couple who move into a house with a magical room, where anything the owners wish materializes. It seems like a gift, but since the movie is streaming on Shudder, there’s probably a catch.
A whole ton of new horror drops on March 13, so you might want to start saving up now. First and foremost it’s the film that everyone has been talking about: The Hunt, which was delayed from last year after controversy over its subject matter. The film puts a new spin of The Most Dangerous Game, by depicting a group of conservatives being hunted by rich liberals, and taking the violence back to them in turn.

The Hunt
Also theaters, Vin Diesel gets brought back from the dead with superpowers and no memories. Bloodshot is the feature directorial debut of Dave Wilson, who previously worked on cinematics and trailers for video games like Bioshock Infinite and Star Wars: The Old Republic – Knights of the Eternal Throne. If that’s not enough theatrical terror for you, check out the Italian supernatural thriller Cruel Peter, about the ghost of a wicked boy who gets unleashed by an archaeologist, or you can go see M.O.M. Mothers of Monsters, a thriller about a woman who suspects her son will become a school shooter.
But wait, there’s even MORE on March 13! There are four horror debuts on Netflix alone, including the Norwegian horror anthology series Bloodride, the Icelandic serial killer series The Valhalla Murders, and the new serial killer movie Lost Girls, starring Amy Ryan, Thomasin McKenzie and Gabriel Byrne. And over on Amazon Prime, you can watch the new limited series Agatha Christie’s The Pale Horse, about a small town mystery which revolves around three suspected witches.
Fans of robots and existentialism will no doubt be happy on March 15, when the third season of HBO’s Westworld makes its debut. And fans of the Winchester Brothers should get ready to follow them to their final destination, as the last season of “Supernatural” moves to Mondays for its no-doubt epic conclusion. And on March 18, over on the Travel Channel, experience the horrors of real-life crime in True Terror with Robert Englund, a six-part TV series hosted by the original Freddy Krueger himself!
Shhhh! Do you hear that? Let’s hope not, because the evil and murderous monsters who hate loud noises are back in A Quiet Place Part II, which stars Emily Blunt as she takes a dangerous journey with her family in a silent post-apocalyptic landscape. The sequel to the surprise smash hit arrives in theaters on March 20, alongside the latest from Quentin Dupieux (Rubber), Deerskin, a horror film about a man obsessed with a jacket made out of – you guessed it – deerskin.

Doom Eternal
But what’s with all these movies and TV shows? What about interactive horror? March 20 also brings with it Doom Eternal, the latest hellish first-person shooter from the popular franchise. Doom Eternal will be available on, PS4, PC, Stadia and Xbox One, alongside a new re-release of Doom 64, which can be purchased for PS4, PC, Switch and Xbox One. And if that’s not enough for you, Moons of Madness brings cosmic horror to the PS4 and Xbox One on March 24, for even more nightmares on Mars!
What, you want more?! How could you possibly want more?! Fine, check out Shudder on March 26 for the debut of Daniel Isn’t Real, a horror movie about a traumatized child whose imaginary friend may be more than a coping mechanism, and may be some kind of monster.
Which of these horrifying new releases are you most excited about for March…?

Daniel Isn’t Real
Editorials
‘Backrooms’ Lore Explained: Async Research Institute and the Complex
The iconic line “If you build it, they will come” may have originally referred to a baseball field, but I’d argue that the record-breaking success of Kane Parsons’ Backrooms is proof that the line could also refer to well-crafted movies about ideas that young cinemagoers actually care about.
Yet, despite being based on Parsons’ existing ARG/Webseries, the A24-produced film is more of a standalone tale exploring the personal implications of the titular rooms rather than a traditional examination of the hard sci-fi elements present in the source material.
This less lore-reliant approach was a genius move, as the resulting film ended up being equally accessible to both existing fans and newcomers alike. That’s not to say that Backrooms doesn’t engage with the existing mythology in new and interesting ways, however, as the film heavily expands on the Async Research Institute and the cryptobiology of the rooms themselves. With that in mind, I’m diving a little deeper into these connections in order to help fledgling Backrooms enthusiasts find their way around the yellow labyrinth.
As is to be expected from this kind of article, there are major spoilers ahead, so proceed at your own risk if you’ve yet to see the movie!
Who is Async Research Institute in the Backrooms Movie?

Backrooms. Courtesy of A24.
Of course, if we’re going to discuss the connections between the series and the film, a good place to start would be Async itself. The California-based Foundation plays a brief yet pivotal role in the film as outside observers that only really interfere with the main plot during the final act. While the Foundation is the main focus of the ARG, they’re mostly hinted at in the film.
Chiwetel Ejiofor’s Clark runs into several Async-built “anomaly lures” during his exploration of the liminal space (mostly in the form of human-shaped cut-outs accompanied by audio recordings inspired by the 1977 Voyager Golden Record), as well as surveillance cameras and evidence that at least one of their agents has become trapped in the rooms – though we’ll get to this last detail later.
It’s only towards the end of the flick that Foundation agents finally show up in their iconic yellow protection suits and “rescue” Renate Reinsve’s Mary by pulling her back to “reality” through a familiar portal, though it’s heavily implied that they might not be all that concerned with her well-being.
After all, long-time fans are aware that Async has been researching the “Complex” (their official name for the Backrooms phenomenon) since at least the late 1980s, with their Threshold experiments being based on a Low-Proximity Magnetic Distortion System prototype developed by Oak Ridge National Laboratory in 1982. Unfortunately, their experiments have likely resulted in hidden portals appearing more frequently in the outside world, which consequently leads to more people accidentally “no-clipping through reality”. And that’s not even mentioning the occasional earthquake caused by unstable Thresholds!
Where the Backrooms Fits in the Original ARG Timeline

Kane Parsons’ “The Backrooms” horor short
Though the film takes place in 1990, the ARG’s timeline actually begins in 1996, with the original found footage upload and the ensuing research sparked by the video serving as sequels to the A24 production. Not only that, but film’s Still Life monsters (“misremembered” versions of real people who wandered into the rooms) appear to be precursors to the Lifeform from the series.
In the original videos, it’s speculated that the humanoid predator inhabiting the Complex is the result of a novel strain of hay bacillus forming a human-shaped colony, though the addition of the Still Life mythology may very well mean that the mutated hay bacillus itself is a Still Life reproduction of an existing bacteria that somehow fell into the Complex.
The film also offers us an interesting clue into the history of the Foundation when Mark Duplass’ Phil talks about how the company used to work with MRI machines. This seemingly innocuous origin for the secretive organization implies that the Complex itself might be the result of some advanced form of neural imaging – as if the Threshold is somehow opening a portal to the universe’s -or even God’s- subconscious mind.
Who is Naren Warne and Why is He Important to Backrooms Lore?

Async researches in “Backrooms” web series
One of the more direct connections between the film and the series happens to be Avan Jogia’s Naren Warne, an unfortunate Async Institute scientist who shows up in the movie’s found footage prologue. A now-deleted Discord post by Kane Parsons himself suggests that Warne was originally a part of the Missing Persons survey team that discovered a dead body taken over by “mold” (the aforementioned hay bacillus).
At some point during the expedition, Naren appears to have been separated from the rest of the team and wound up wandering alone in the Backrooms. The film opens with the desperate scientist’s VHS footage as he records his attempts to contact his superiors and is ultimately chased down by an unseen Lifeform.
While this prologue mostly serves to establish that the Backrooms contain more than empty hallways, it’s fun to see Parsons include a trail of breadcrumbs leading back to the lo-fi source material even when working on such a high-profile production.
Naturally, there are other curious connections to be found here, such as a faithful recreation of the original photo that spawned the Backrooms creepypasta in the first place, as well as audio cues harkening back to the various TikTok musical trends that often accompany liminal horror content.
However, half the fun of engaging with lore-heavy material comes from discussing theories with fellow fans, so I’d like to invite readers to comment below with your own favorite additions to the lore/references to the ARG! Just be sure to watch out for suspicious-looking furniture salesmen – especially if they’re dressed up like a pirate.

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