Movies
Iranian Horror Movie ‘The Night’ Being Released By IFC Midnight in Early 2021
IFC Midnight has acquired domestic rights to Kourosh Ahari’s psychological thriller The Night, Deadline reports today, with plans to release the film in January 2021.
The Night stars “Shahab Hosseini (A Separation, Cannes 2016 Best Actor winner for The Salesman) and Niousha Jafarian (Here and Now, Stitchers) as an Iranian couple who find themselves locked inside an old hotel with their one-year-old daughter. While attempting to make the best of this creepy hotel, an outside force pushes them to share the secrets they’ve hidden from each other. How, and if, they check out depends on how carefully they question everything and anyone that comes across their path.”
George Maguire (Fight Club, Pursuit of Happyness) also stars.
“We feel elated that we have found such a caring and supportive partner, IFC Midnight, to be the champions for this Iranian story,” said Ahari. “The Night on the surface is a thrilling psychological horror pivoting around an Iranian couple, but beneath it explores a common, yet very complex human condition intending to provoke the minds of audiences leaving theaters.”
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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