Movies
Prequel ‘Orphan: First Kill’ Rated R for “Bloody Violence”
Esther is back in upcoming prequel Orphan: First Kill, with Isabelle Fuhrman returning to play the character and William Brent Bell (The Boy, Separation) directing the new movie.
Orphan: First Kill has been acquired for release by Paramount, but we don’t yet have a release date at this time. It’s coming soon, however, as the official MPA rating is now in.
First Kill is rated “R” for…
“Bloody violence, language, and brief sexual content.”
For the sake of comparison, the first Orphan movie, released way back in 2009, was similarly rated “R,” for “disturbing violent content, some sexuality, and language.”
In Orphan: First Kill, “Leena Klammer (aka Esther) orchestrates a brilliant escape from an Estonian psychiatric facility and travels to America by impersonating the missing daughter of a wealthy family. But Leena’s new life as “Esther” comes with an unexpected wrinkle and pits her against a mother who will protect her family at any cost.”
David Coggeshall (“Scream”) wrote the prequel’s script.
Orphan writer David Leslie Johnson-McGoldrick executive produces.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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