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David Gordon Green is Planning on Directing All Three Films in Brand New ‘The Exorcist’ Trilogy

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Blumhouse Exorcist

Once he’s done with Halloween, David Gordon Green is moving on to The Exorcist, with an entire trilogy that’ll serve as sequels to the original classic in development at Universal.

The plot details we were provided with this past summer detail, “Odom Jr. will play the father of a possessed child. Desperate for help, he tracks down Ms. Burstyn’s character.”

The first film in the trilogy will be released theatrically on October 13, 2023, and Gordon Green suggests in a new chat with Collider that he’s planning on directing all three movies.

Gordon Green is also co-writing the trilogy with Peter Sattler, and he tells Collider: “I’m sure I’ll know more a year from now when I’ve gotten a handle on what Exorcist is. The script’s written. And it was a very, entirely different writing process [from the Halloween trilogy].”

He continues in the chat with Collider, “The first one of our trilogy is written and the second two are being outlined. So we’ve got a ways to go on that, but we know where we’re going. It’s a new journey [with] some familiar characters and some new ones as well.”

The Exorcist franchise hasn’t been on the big screen since the 2005 release of Dominion: Prequel to The Exorcist, an alternate version of the previous year’s Exorcist: The Beginning. Those films came in the wake of 1977’s The Exorcist II: The Heretic and 1990’s The Exorcist III.

More recently, “The Exorcist” became a short-lived television series at Fox, which was surprisingly excellent and cleverly took place in the same world as the original classic.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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