Movies
‘Scream’ and Five Other Huge Horror Franchises Returning in 2022
This year kicks off with a big ole bang with the return of Wes Craven and Kevin Williamson’s Scream franchise, bringing Ghostface back to theaters for the first time in ELEVEN years on January 14, 2022. The film is already getting rave reviews from critics, suggesting that 2022’s horror output is already on fire here in the first couple weeks of the brand new year.
But Scream isn’t the only major horror franchise returning in 2022…
While Freddy Krueger and Jason Voorhees continue to lie dormant, several other horror icons are headed back into our lives in the coming months. It’s going to be big year for horror franchises, with Ghostface’s return being only the very tip of the iceberg this weekend.
Here are five other big time horror franchises returning soon!
Texas Chainsaw Massacre – February 18, 2022 (Netflix)
Just about a month after Scream, Leatherface will return in Texas Chainsaw Massacre, a brand new sequel to Tobe Hooper’s original classic that’ll be streaming exclusively on Netflix. This will be the ninth film in the franchise, and the second attempt to make a years-later sequel to the original Chain Saw. Back in 2013, Texas Chainsaw 3D took a very similar approach.
The new movie is a decades-later sequel *only* to Tobe Hooper’s original Texas Chain Saw Massacre, with actress Olwen Fouéré (Mandy) taking over the iconic role of Sally Hardesty (above) from the late Marilyn Burns. Of note, Fede Alvarez (The Evil Dead) produced this one.
“After nearly 50 years of hiding, Leatherface returns to terrorize a group of idealistic young friends who accidentally disrupt his carefully shielded world in a remote Texas town.”
Additionally, The Texas Chain Saw Massacre is getting its own video game here in 2022!
Halloween Ends – October 14, 2022 (Theaters)
In the wake of Halloween (2018) and last year’s Halloween Kills, David Gordon Green’s sequel trilogy comes to a close with Halloween Ends, currently dated for October 14th.
What we know of the film so far is that Laurie Strode (Jamie Lee Curtis) will be taking the fight to Michael Myers one last time, now seeking an even more personal revenge after he appeared to murder her daughter in Halloween Kills. Gordon Green has also teased a four-year time jump for Halloween Ends, rather than a direct continuation of the events from Kills.
Additionally, Kyle Richards has signed on to reprise the role of Lindsey Wallace one more time, who had a fight with Michael but survived to live another day in Halloween Kills.
Filming on Halloween Ends is set to begin here in early 2022, so here’s hoping the pandemic doesn’t change any current plans. As always, we’ll report more as we learn more information.
Evil Dead Rise – Date Unknown (HBO Max)
We don’t yet have a date but we do know that Evil Dead Rise has wrapped filming and is currently being edited, with Lee Cronin (The Hole in the Ground) in the director’s chair.
So is it a sequel to Sam Raimi’s original movies or to the Fede Alvarez reboot? Well, it doesn’t appear that Evil Dead Rise is necessarily continuing the storyline from any previous Evil Dead movie, but rather telling a brand new story set within the Evil Dead Universe.
And no, Bruce Campbell will not be playing Ash Williams in the film.
“In the fifth Evil Dead film, a road-weary Beth pays an overdue visit to her older sister Ellie, who is raising three kids on her own in a cramped L.A apartment. The sisters’ reunion is cut short by the discovery of a mysterious book deep in the bowels of Ellie’s building, giving rise to flesh-possessing demons, and thrusting Beth into a primal battle for survival as she is faced with the most nightmarish version of motherhood imaginable.”
Gabrielle Echols (Reminiscence), Morgan Davies (The End) and Nell Fisher (Splendid Isolation) will star in the new movie alongside Alyssa Sutherland and Lily Sullivan.
Prey – Summer 2022
In the wake of Shane Black’s The Predator back in 2018, the franchise is getting another reboot with Prey, a film shot in secret by director by Dan Trachtenberg (10 Cloverfield Lane).
From what we gather, the plan was for Prey (formerly titled Skulls) to be a secret Predator movie, but alas, the ties to the franchise ended up leaking before they could surprise us.
Amber Midthunder (“Legion”) stars as a Comanche woman who goes against gender norms and traditions to become a warrior. The film’s events are set 300 years ago.
The new movie is reportedly a prequel to the original classic that will tell the tale of the Predator’s first journey to our planet. No date at this time, but we expect it in Summer 2022.
Hellraiser – Dates Unknown
Pinhead and his Cenobites are plotting a big return here in 2022, and what’s particularly interesting and exciting about the Hellraiser franchise is that *two* projects are in the works.
David Bruckner (The Night House), who helmed Netflix’s The Ritual as well as sections of Bloody Disgusting’s horror anthologies V/H/S and Southbound, is directing the relaunch of the Hellraiser franchise for Spyglass Media, set to be a Hulu feature film written by Ben Collins and Luke Piotrowski (SiREN, Super Dark Times, The Night House).
“Sense8” actress Jamie Clayton is playing Pinhead in the new movie.
The project is being described as a “loyal, yet evolved re-imagining of Clive Barker’s 1987 horror classic,” and the best possible news is that Clive Barker is on board as a producer.
Additionally, a “Hellraiser” television series is in the works at HBO. Last we heard, David Gordon Green (Halloween, Halloween Kills) is directing the pilot and “several more initial episodes” of the HBO series, and Michael Dougherty (Trick ‘r Treat, Krampus, Godzilla: King of the Monsters) is writing alongside Mark Verheiden (“Battlestar Galactica”).
Clive Barker will be executive producing that Hellraiser project as well.
We don’t know for sure that both projects will be arriving here in 2022, but we do know that the Hulu movie wrapped last year, so we’re at least expecting that one sometime this year.
Of course, any of these dates and plans could change. Stay tuned…
Movies
‘Strange Journey: The Story of Rocky Horror’ Review – The Definitive Rocky Horror Documentary
You can’t force a cultural phenomenon. At the end of the day, it’s the audience who decides what is and isn’t remembered, and all artists can do is try their best to express themselves honestly enough that their work might eventually connect with a certain crowd. As it stands, the gold standard for a cult hit that grew into something much larger than its creators could have anticipated due to fan involvement happens to be The Rocky Horror Picture Show.
A musical love-letter to the b-movies of yesteryear that also inspired generations of LGBTQ+ inclusive fan communities around the world, both the film and the original stage musical boast an ongoing legacy that shows no sign of slowing down decades down the line In honor of the 50th anniversary of the original film’s relaunch as a midnight movie that cemented it as a perpetual big screen hit, Linus O’Brien, son of Richard O’Brien, the creator of Rocky Horror and actor behind the fan-favorite Riff Raff, presents fans with his long-awaited documentary: Strange Journey: The Story of Rocky Horror.
Of course, you might be wondering if this new release justifies doing the Time Warp again after so many existing celebrations of the original film, so let’s dig a little deeper into Linus’ production.
Through a dynamic combination of archival footage, personal photographs and in-depth interviews with the original cast (such as Susan Sarandon, Nell Campbell, Patricia Quinn and Tim Curry), as well as commentary by hardcore fans like Jack Black and Trixie Mattel, Strange Journey follows the origins of Rocky Horror all the way from Richard O’Brien’s New Zealand upbringing to the shadow casts and online fandom motivating the film adaptation’s modern-day screenings. The documentary also serves as a surprisingly poignant look at how O’Brien views the “franchise” as a whole and how it reflects his personal journey of self-discovery.

Right out of the gate, the film sets itself up as something of a trip down memory lane for hardcore fans as we’re treated to footage of Richard reckoning with the statue of Riff Raff in Hamilton, New Zealand – right next to where he used to cut hair for a living. While the film benefits from plenty of b-roll borrowed from the Rocky Horror Picture Show as a means of hyping up segments of the documentary and even serving as the occasional punchline, Linus expects that viewers are already familiar with the landmark film and dives straight into the cultural context in which his father began working on the surprisingly lo-fi project.
Information goes by fast due to the brisk 80-minute runtime, but I appreciate the nods to Richard’s creative process as we see handwritten songs in a personal notebook that was eventually expanded into the musical’s script. The idea that O’Brien’s method training informed a different view of B-movie performances is undeniably fascinating -as are his musings on genre cinema – but it’s really when the rest of the cast and director Jim Sharman show up that the documentary really shifts into gear.
Sharman’s insight into the low-budget production aspects of the play makes it clear that this was a rag-tag team of artists taking advantage of raw talent and a new cultural zeitgeist that allowed them to confront taboo subject matter. Susan Sarandon is (unsurprisingly) a joy to watch as she reminisces about her time working on the movie adaptation, showing genuine appreciation for the hardship inherent to passionate indie productions. Of course, Tim Curry’s contributions are some of the most compelling, with his comments on how he originally wanted Dr. Frank-N-Furter to have a German accent until a random encounter on the bus made him realize that the good doctor should speak like the Queen, really making you appreciate the big ideas that turned a small production into a smash hit.
That being said, my personal favorite source of snarky quotes and anecdotes is Patricia Quinn, who originally played Magenta. Her stories about a brief romantic encounter with Meatloaf and how grateful she is that the film adaptation of the musical kept most of the original cast are incredibly entertaining and add to the sense that the production captured lightning in a bottle in a way that can never be replicated.

Susan Sarandon in ‘Strange Journey: The Story of Rocky Horror’
As a longtime fan, it was hard not to get swept up in the nostalgia when the file showed pictures of these young performers unaware that their lives were about to be changed forever by a weird little musical – especially when Richard O’Brien would come in with his guitar and perform acoustic versions of some of his most iconic tracks.
Yet, the completely justified pride that Richard appears to feel when presenting the music to his son, and by extension the audience, alongside the existential questions that this exceedingly personal project forces him to revisit, are what make Strange Journey so much more than a corporate puff piece. While I would have liked to see more interaction between the two generations of O’Brien’s, as you get the feeling that Linus is searching for his place in a legacy that extends far beyond his unusual family history, there is enough of an emotional core here that you’ll likely walk away from the experience thinking about what it means to have a single project define your entire life.
At the end of the day, I can’t imagine a more definitive exploration of everything that makes The Rocky Horror Picture Show such a cultural landmark. Featuring memorable insight from nearly all the major players, with the obvious exception of the late, great Meatloaf, and enough behind-the-scenes imagery to make you feel like you were there alongside the team from the very beginning, Strange Journey is the perfect companion to the 1975 masterpiece. That’s why I’d recommend this return to our favorite Frankenstein Place for both diehard fans and newcomers alike.
Strange Journey: The Story of Rocky Horror is available now on digital platforms everywhere.






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