Movies
See ‘Speak No Evil’ Two Weeks Early on August 27 at Alamo Drafthouse Cinema in Austin, Texas!
Blumhouse and Universal will release Speak No Evil on September 13, 2024, a remake of the same-titled Danish horror movie, and we’d like to give YOU the chance to see it early.
Bloody Disgusting has joined forces with Alamo Drafthouse Cinema – South Lamar for a 7pm screening of Speak No Evil on Tuesday, August 27, with 80 seats available for Austin-based Bloody-Disgusting readers. If you want a spot, simply fill out this RSVP form!
Free popcorn and soda will be provided to all guests, we’ve been told.
The Speak No Evil team tells us, “While social reactions are encouraged following the screening, we ask that you hold full reviews until Tuesday, September 10 at 9am PT.”
James Watkins (The Woman in Black, Eden Lake) is directing Speak No Evil for Blumhouse and Universal, with Mackenzie Davis (Terminator: Dark Fate, Happiest Season) and James McAvoy (Split, Glass) set to star. Scoot McNairy (Argo) will also star.
In the remake, “When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended on vacation, what begins as a dream holiday soon warps into a snarled psychological nightmare.”
James Watkins also wrote the script for the Speak No Evil remake.
Jason Blum will produce the upcoming film for Blumhouse, with Paul Ritchie, Christian Tafdrup, Jacob Jarek, and Bea Sequeira serving as Executive Producers.
Directed by Christian Tafdrup, the original Speak No Evil was selected as one of Bloody Disgusting’s 12 Best International Horror Movies of 2022. Daniel Kurland raved about the highly distressing Danish nightmare, “This claustrophobic character study eerily examines the nature of evil and the chilling realization that there doesn’t always need to be a reason for wickedness. Speak No Evil feels like the twisted Danish cousin to Barbarian and every tense moment of silence feels like it could evolve into a totally different type of horror.”
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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