Movies
Masked Killer Out for Revenge in Slasher ‘Dark Windows’; Now on SCREAMBOX!
Director Alex Herron’s Dark Windows introduces a conventional slasher setup that pits a masked killer against vacationing teens but teases a potential twist: what if the teens aren’t so innocent?
Brainstorm Media’s horror slasher sees a masked killer invade a quiet weekend getaway and it’s now streaming on SCREAMBOX. There’s nowhere to hide for the teens fleeing from a tragic event.
The film is said to “take audiences on a ride of passion, loss, terror and horrific, unthinkable ways of seeking revenge.”
In Dark Windows, “A group of teenagers take a trip to an isolated summerhouse in the countryside. What starts as a peaceful getaway turns into a horrific nightmare when a masked man begins to terrorize them in the most gruesome ways.”
Written by Wolf Kraft, Dark Windows stars Anna Bullard (Marinette), Annie Hamilton (The Wolf of Snow Hollow), Rory Alexander, Jóel Sæmundsson, and Morten Holst.
Herron is a Norwegian filmmaker whose recent credits include Leave, a horror film about a young woman who tries to find her origins after being abandoned as an infant at a cemetery. Alex Herron, Jens Ramborg. John Clark, and David Kang produced.
Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.
B.J. Golnick (“Hunting Hitler”) will be directing Brine.
Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.
When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.
Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.
“Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.
“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”
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