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James Cameron on ‘Fantastic Voyage’ Remake: “I’m Working with a Director Right Now”

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James Cameron has expressed interest in remaking Fantastic Voyage for decades, first as a writer-director and more recently as a producer.

Speaking with Deadline, Cameron reveals that he’s working with an unnamed filmmaker with the hopes of getting the long-gestating film off the ground in 2026.

“I’ve been nurturing that for a while. I hope to get that going this coming year,” said Cameron.

“I’ll be producing it. I’m working with a director right now with a new script,” he added. “So, yeah, we’re gonna do it.”

In Fantastic Voyage, when a scientist who holds the secret of miniaturization goes comatose, a team of specialists travels inside his body to try to repair a dangerous blood clot.

Released in 1966, the influential sci-fi adventure won two Academy Awards — Best Art Direction and Best Special Effects — and was nominated for three more.

Richard Fleischer (Soylent Green, Conan the Destroyer) directs from a script by Harry Kleiner (Bullitt, Red Heat). Stephen Boyd, Raquel Welch, Edmond O’Brien, Donald Pleasence, and Arthur Kennedy star.

Previous filmmakers attached to the Fantastic Voyage reboot include Guillermo del Toro, Shawn Levy, Paul Greengrass, and Roland Emmerich.

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‘Black Zombie’ – Kino Lorber Picks Up Documentary Exploring Pre-Romero Zombie Cinema

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The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.

Kino Lorber will release Black Zombie in theaters later this year.

From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.

Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.

Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”

“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”

Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”

Executive producers for the documentary include music legend Slash.

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‘I Walked With a Zombie’ (1943)

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