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Kevin Williamson Details ‘Scream 7’ Alternate Ending: “We Wanted to Have Our Cake and Eat It Too”

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Neve Campbell & Kevin Williamson on the set of 'Scream 7'

Spoiler Alert: The following contains major spoilers for Scream 7.

Scream 7 saw the triumphant return of Neve Campbell as Sidney Prescott, but she wasn’t the only familiar face to reprise an iconic role from the slasher saga.

After 30 years of fan theories, Matthew Lillard made his long-awaited return as Stu Macher — along with Laurie Metcalf as Nancy Loomis, Scott Foley as Roman Bridger, and David Arquette as Dewey Riley — in the form of an AI recreation used by the latest Ghostface to taunt Sidney.

In a spoiler interview with Empire, writer-director Kevin Williamson confirms that they shot an alternate ending revealing that Stu actually is alive.

“We wanted to have our cake and eat it too,” Williamson explains. “I wish I could take credit for that. But Guy Busick had that in his script. He wrote all the AI stuff.”

He continues, “The first time I read it I was like, ‘How is this going to work? How is he going to be alive?’ Furthermore, if it is AI, will part of the audience be disappointed that he’s not real? We were playing that game. And I’d be lying if I said we didn’t shoot it both ways.”

Williamson reveals, “We shot a little coda at the end that we had in our back pocket. But oddly enough, the decision was that the audience wanted him dead.”

He confirms that test audiences preferred that Stu remain dead. “It makes more sense. It’s more real. If he’s alive, that’s a big stretch. We live in a world now where with fake AI, we know that’s possible.”

In theaters now, Scream 7 sees new Ghostface killer emerge in the quiet town where Sidney Prescott has built a new life. Determined to protect her family when her daughter becomes the next target, Sidney must face the horrors of her past to put an end to the bloodshed once and for all.

Meagan Navarro wrote in her review, “The franchise seems to be succumbing to the tired tropes it so humorously and lovingly poked fun at in the first place. Still, there are enough thrills and chills injected, at least until its abysmal finale, to signal that there’s a faintly beating pulse buried somewhere under the mess.”

Broke Horror Fan. Filmmaker. VHS purveyor. Pop-punk defender. Weird food archivist. Dog petter. He/him.

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‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”

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backrooms director kane parsons mark duplass

There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.

In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.

“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”

“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”

He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”

Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”

Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.

His debut feature is the #1 movie in the world, so perhaps he’s onto something.

What’s next from Kane Parsons, you ask? Stay tuned…

backrooms 2 movie

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