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Joe Dante’s Werewolf Classic ‘The Howling’ to Get a Remake from StudioCanal

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The Howling Remake

Last month, Joe Dante’s The Howling celebrated its 45th anniversary. Today at CinemaCon, StudioCanal announced that they’re developing a remake of the werewolf classic.

Adapted from the novel by Gary Brandner, the 1981 horror movie followed a television news anchor sent to a resort to recover from a terrifying encounter with a serial killer, only to discover it is inhabited by werewolves.

Dee Wallace starred as the tormented reporter, Karen White. Christopher Stone,  Patrick MacNee, Dennis Dugan, Elisabeth Brooks, and Robert Picardo also starred.

More importantly, The Howling is known for its incredible practical effects and werewolf transformation sequence, courtesy of SFX legend Rob Bottin, who was only 21 at the time. 

The Howling went on to gross $18 million in its initial theatrical release. Between 1985 and 2011, seven more Howling films were produced in the franchise, including Howling II in 1985, Howling III in 1987, Howling IV in 1988, Howling V in 1989, Howling VI in 1991, Howling: New Moon Rising in 1995, and The Howling: Reborn in 2011.

This isn’t the first time a remake has been announced for this werewolf classic, with Andy Muschietti revealing in 2019 that it’s a title he’d love to tackle. 

Stay tuned.

 

 

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’

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Boorman and the Devil trailer

Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.

Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.

After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.

Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.

“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”

“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”

Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.

Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.

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