Movies
Postpartum Psychological Horror ‘Nesting’ Sets May Release
Breaking Glass Pictures has announced this morning the North American release of Nesting, the haunting postpartum psychological thriller from director Chloé Cinq-Mars.
Nesting (aka Peau à Peau) releases on VOD on May 29, 2026.
The psychological horror movie follows “Pénélope (Rose-Marie Perreault), a new mother struggling with postpartum depression and the lingering trauma of her sister’s death. As sleep deprivation takes hold, the boundary between dream and reality begins to collapse, pulling her into a paranoid and increasingly dangerous spiral.”
Alongside Perreault, the cast also includes:
- Simon Landry-Desy (Gaspard)
- Saladin Dellers (Edward)
- Marie Bélanger (Charlotte)
Watch the official trailer below.
Ahead of its digital release, Nesting will receive a special one-night theatrical screening event on May 26 at select Alamo Drafthouse Cinema locations nationwide, including:
Austin (South Lamar), Boston (Seaport), Chicago (Wrigleyville), Denton & Richardson (DFW), Denver (Sloans Lake), Laredo, Los Angeles (DTLA), New York (Brooklyn, Lower Manhattan, Yonkers), Raleigh, San Antonio (Park North), Mountain View, San Francisco (New Mission), Santa Clara (Valley Fair), Woodbury (Twin Cities), and Indianapolis.
The film made its World Premiere at the Fantasia Film Festival, where Cinq-Mars won the Best Director Award (2025), launching a successful festival run. Our own Joe Lipsett wrote of the central performance in his Fantasia review, “Pénélope feels like a real, harried mother. While the film slowly unfurls layers of backstory about her complicated (near fatal) pregnancy, as well as her tragic past with Charlotte, this is rarely delivered via Cinq-Mars’s sumptuous visuals and Perreault’s face.”
Movies
Absolutely “No Goddamn AI” Was Used to Bring ‘Pan’s Labyrinth’ to Theaters in 4K 3D This October
Guillermo del Toro returned to San Diego Comic-Con this past week to take part in a special Pan’s Labyrinth 20th anniversary panel, which also featured stars Doug Jones and Ivana Baquero. They were on hand to preview the upcoming theatrical re-release of Del Toro’s masterpiece, which is headed to the big screen beginning October 9, 2026.
Guillermo del Toro made one thing crystal clear about the 2006 film’s upcoming theatrical release in 3D and HDR; “absolutely no goddamn AI” was used any step of the way.
“It’s much more expensive… I don’t care,” del Toro said, speaking about the painstaking process of bringing the film into the 4K 3D format by hand. “What we’re protecting is the beauty and redeeming power of art. We are protecting a lineage of art.”
Del Toro added, “You have to put in time. You have to do every element by hand.”
If there’s any filmmaker at the moment who completely embodies the anti-AI movement it’s Guillermo del Toro, who has been vocally against the use of generative AI in the creation of art from the very beginning. He said back in October of last year that he’d “rather die” than use AI.
Other big name filmmakers have been dipping their toes into generative AI, with AI recently used by David Fincher for the restoration of his film Se7en. It’s likely to become more and more common in Hollywood for the restoration of older movies and the creation of brand new movies, but Guillermo del Toro is standing in firm opposition to the controversial technology.
He recently shouted at the Gotham Awards, “Fuck AI!”
Bloody Disgusting’s parent company Cineverse is teaming up with Fathom Entertainment for the Guillermo del Toro’s Pan’s Labyrinth 20th Anniversary release, in theaters October 9.
Pan’s Labyrinth will be presented theatrically for the first time by Cineverse and Fathom in 4K, and with versions available in both 3D and HDR by Barco – the dedicated HDR viewing solution offering up to 6 times higher peak luminance.
Each version for this re-release has been overseen by Guillermo del Toro.
Tickets will be available online September 9 and at participating theater box offices.
Pan’s Labyrinth takes place in 1944, in the aftermath of the Spanish Civil War.
Young Ofelia and her pregnant mother have been brought to live in the countryside, where her brutal stepfather Captain Vidal’s job is to wipe out the remaining rebels camped in the local forest. Nearby, in a hidden labyrinth, Ofelia meets an ageless Faun, who tells her that she is really a princess from an enchanted world. He gives her three tasks which she must complete in order to reclaim her rightful place. As her mother’s failing health threatens the life of her unborn child, Ofelia undertakes a quest to complete the Faun’s tasks.
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