Movies
Raven Banner Boards Psychological Found Footage Horror ‘Infirmary’
Raven Banner Entertainment has acquired world sales rights to psychological found footage movie Infirmary and is launching sales at the Cannes market, ScreenDaily reports today.
Paul Syre Lee, Mark Anthony Williams, and Danielle Kennedy star in the film from director Nicholas Pineda.
Infirmary follows “a young security guard begins his first night at the Wilshire Infirmary, a crumbling, long-abandoned mental asylum with a history that refuses to die. Paired with Lester, a retiring guard whose unusual behavior only adds to the unease, Edward quickly realizes this isn’t just another job.
“An intruder shatters the silence, but vanishes before Edward and Lester can act. Lester, his only ally in this forsaken place, disappears into the bowels of the asylum without a trace, leaving Edward to fend for himself. As the hospital’s dark history closes in on him, the line between reality and madness blurs. Edward becomes the prey of forces he cannot understand, trapped in a labyrinth of horrors that seem intent on breaking his mind.
“Haunted by visions, stalked by unseen entities, and tortured by his own unraveling psyche, Edward must face his fears and escape the infirmary’s clutches… or lose himself in its twisted depths forever.”
An abandoned psychiatric hospital tends to make for one of horror’s creepiest settings, so this premise already intrigues.
The horror movie made its world premiere earlier this year at the Dances With Films NY festival.
“We’re always looking for films that create a strong sense of atmosphere and psychological unease, and Infirmary immediately stood out,” said Michael Paszt of Raven Banner. “Nick has crafted a film that is deeply unsettling, visually confident, and rooted in a kind of dread that travels well internationally.”
With Infirmary heading to Cannes this week, expect to hear more about the film’s release soon.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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