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Three Months After His Passing, We Look At David Bowie’s Legacy

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Three months ago today, legendary musician/actor/producer David Bowie passed away after a lengthy battle with liver cancer. His passing came a mere two days after his 69th birthday as well as two days after the release of Blackstar, his 25th studio album. To say that his passing sent shockwaves throughout the world is an understatement. Many felt that Bowie was essentially invincible and immortal, destined to provide us with his unique music and his charming and accomplished acting abilities for years to come.

I personally find the thought of seeing Bowie as some kind of deity-like figure somewhat offensive to the memory of him. He was no god and, in many ways, he was no saint either. He was a human being, which meant he was flawed and he was vulnerable. And for me, that’s what made his creative work so special. That’s what made it stand out. By avoiding the starry gaze that many have for celebrities and the work they craft, I find that I’m more amazed and appreciative of their work because it comes with pain, fear, rage, sadness, joy, excitement, and every other gamut of emotion that one can think of. It’s what makes me able to relate to Bowie’s music, to let it really have an impact on my soul.

When a celebrity passes away, there is often a discussion on the legacy they left behind. We look at the movies they made, the art they painted, the music they wrote, the books they’ve written… Whatever their craft, we look at their output for solace and comfort, knowing that we’ll always have those works with us, even though their creator has moved on.

Bowie’s longtime collaborator and producer Tony Visconti wrote a poignant and touching statement after the star’s passing:

He always did what he wanted to do. And he wanted to do it his way and he wanted to do it the best way. His death was no different from his life – a work of Art. He made Blackstar for us, his parting gift. I knew for a year this was the way it would be. I wasn’t, however, prepared for it. He was an extraordinary man, full of love and life. He will always be with us. For now, it is appropriate to cry. [Source]

On January 10th, a small part of me died when I heard of Bowie’s passing. I grew up with Labyrinth, much like nearly everyone else of my generation, and had always enjoyed The Hunger and Twin Peaks: Fire Walk With Me. Additionally, his music was a staple at one of my neighborhood friend’s home, so I always heard his voice wafting through the rooms and down the hallways whenever I went over.

As I said earlier, I prefer to look at these celebrities as human beings. Yes, Bowie left behind a library of music that can be pored over for years without becoming repetitive. Yes, he starred in movies that are acclaimed and cherished by millions. And yes, he lived a life in a manner that is enviable, never seeming to care what people thought of him, allowing him to be himself. But I think he has a legacy that many are overlooking: his family.

Bowie left behind supermodel Iman, who is known for her charitable works with programs such as Keep a Child Alive, Enough Project, and Save the Children, amongst others. Her efforts in these endeavors have gained her much recognition, all of it well deserved. The couple also have a 15 year old daughter, Alexandria Zahra Jones. Many posts have spoken about how the strength Bowie had in his final months were due to his want to “…spend as much time as possible with Lexi. [Source]

And then there’s Duncan “Zowie” Jones, David’s son from his previous marriage with Angie Bowie. Duncan has carved himself as one of the smartest directors in the movie industry, blowing people away with his 2009 feature length debut Moon. The film won 18 industry and festival awards, including the NBR Award for Best Directorial Debut, and was nominated for a further 17. Afterwards, Jones directed Source Code, a sci-fi/thriller that was almost universally acclaimed by critics but was ultimately a sleeper hit, one that fared better overseas than domestically.

But Jones’ biggest project is the upcoming Warcraft, the film adaptation of the wildly popular Blizzard video game series. Coming this summer, the movie tells the origins of the conflict between the humans and the orcs, using lore from the games as well as the novels. With a budget of $100 million, the movie is already generating huge amounts of buzz and could very well become the next fantasy film franchise.

Circling back to David Bowie, I spoke about the idea of leaving behind a “legacy”, leaving something that lives on beyond ourselves. Obviously, Bowie has his collection of music and his films that will be studied, appreciated, and loved for decades, perhaps longer, to come. However, I choose to believe that his legacy lives on not just in the music he shared or the films he created but also in the work and endeavors of his family. After all, what could make a father and husband more proud and feel like his life had meaning than to see his family succeed?

Managing editor/music guy/social media fella of Bloody-Disgusting

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‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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