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[Synthwave Fury] Hexenkraft Brings Horror Retrowave Straight From Cyberhell

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Before man walked the earth…
It slept for centuries.
It is evil. It is Real.
It is awakening.

The synthwave genre has been around for a while, but saw a huge resurgence in 2016 and it doesn’t show any signs of slowing down.  Horror fans have been especially lucky with incredible music coming straight from the genre, including the Stranger Things soundtrack and John Carpenter‘s Lost Themes II and his acclaimed tour.

Hexenkraft is a retrowave artist straight from the pits of cyberhell who isn’t shy about being inspired by the horror genre, drawing from greats like Carpenter and Goblin. If you’re looking for something to listen to as you stalk your victims from the shadows, Hexenkraft has you covered.

Check out the track “Prince of Darkness” inspired by the John Carpenter soundtrack of the same name.

Grab the self-titled debut EP here, and give a follow on twitter for a new release announcement coming in the next few days!

Co-founder Bloody Disgusting, lover of Taco Bell

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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