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Waxwork Reveals ‘Friday the 13th Part VII: The New Blood’ Original Motion Picture Soundtrack!

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Waxwork Records announced today the debut release of the Friday the 13th Part VII: The New Blood Original Motion Picture Soundtrack by Harry Manfredini and Fred Mollin!

Available for the very first time in any format, Waxwork worked closely with Paramount Pictures to locate the original 1988 master tapes in the Paramount vault.

Archived away for many years, and thought to have been lost, multiple master tapes containing the score by composer Fred Mollin have been located, transferred, remastered for this deluxe double vinyl release. Also included in this double album are the complete original soundtrack cues featured in the movie and composed by Friday the 13th veteran, Harry Manfredini.

Friday the 13th Part VII: The New Blood follows a psychokinetic teenage girl who inadvertently unleashes Jason Voorhees from his grave in Crystal Lake. The film features, for the first time, actor/stuntman Kane Hodder as Jason Voorhees.

The definitive Friday the 13th Part VII: The New Blood soundtrack features 2xLP 180 gram “Zombie Jason” colored vinyl, deluxe packaging, new artwork by Sarah Deck, the complete soundtrack sourced from the original 1988 master tapes, and old-style tip-on gatefold jackets with satin coating.

Friday the 13th Part VII: The New Blood Original Motion Picture Soundtrack Features:

  • The Complete Soundtrack By Harry Manfredini and Fred Mollin
  • Available For The Very First Time In Any Format
  • 2xLP 180 Gram “Zombie Jason” Swirled Color Vinyl
  • New Artwork By Sarah Deck
  • Deluxe Packaging
  • Old Style Tip-On Gatefold Jackets With Satin Coating

On sale now for $40. Here’s a taste.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Music

John Carpenter’s New Album ‘Lost Themes IV: Noir’ NOW AVAILABLE!

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John Carpenter, Daniel Davies and Cody Carpenter are back with Lost Themes IV: Noir, a brand new album from Sacred Bones Records that was released today, May 3.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

The new ten song collection was loosely inspired by the noir genre and marks new territory for John Carpenter and his cohorts, imbibing their trademark synth hooks and pulsing drum machine with propulsive post punk basslines and smoldering guitar solos.

Here’s the full Lost Themes IV: Noir track list:

  1. My Name is Death (video below)
  2. Machine Fear
  3. Last Rites
  4.  The Burning Door
  5. He Walks By Night (video below)
  6. Beyond The Gallows
  7. Kiss The Blood Off My Fingers
  8. Guillotine
  9. The Demon’s Shadow
  10. Shadows Have A Thousand Eyes

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can listen to Lost Themes IV: Noir right now!

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