Connect with us

Music

Arjen Lucassen’s Star One ‘Victims Of The Modern Age’ Release Date Announced

Published

14 years ago

on

Composer and multi-instrumentalist ARJEN LUCASSEN has firmly established himself worldwide as driving force in progressive rock. While best known for his rock opera project AYREON, the multi-talented Dutchman also regularly embarks on musical side projects, which explore different aspects of Lucassen’s musical personality. As his previous project (GUILT MACHINE’s “On This Perfect Day” 2009) was a relatively relaxed and subtle affair, LUCASSEN’s muses responded by urging him to record something loud, heavy and anything but subtle for this new release. Thus it was a perfect opportunity to launch his musical spacecraft towards the galaxy of bombastic sci-fi rock by revisiting his STAR ONE project. 
staronevictimscover
The result is the album “Victims of the Modern Age,” the follow-up to the STAR ONE debut album, “Space Metal” (2002). Compared to “Space Metal,” the overall sound of “Victims Of The Modern Age” is darker, heavier, more guitar-oriented, and slightly less “spacey”. ARJENhas also raised the bar significantly when it comes to the album’s sound: “I think it’s my best sounding album to date; it’s a huge difference compared to the first STAR ONE. For the guitars I spent weeks experimenting with different amps and settings in every combination imaginable — and it was worth it. The drums sound fantastic, and the vocalists all outdid themselves, putting in even stronger performances than they did the first time around.” 

“Victims Of The Modern Age” will be released on InsideOut Music in North America on October 26th . With its stellar musicianship, strong melodies, meticulous production and compelling concept, STAR ONE “Victims of the Modern Age” is yet another exciting project from one of rock’s great visionaries. Please check ARJEN’S VIDEO MESSAGE presenting cast of lead vocalists and the concept of “Victims Of The Modern Age” featuring 
Russell Allen (Symphony X)
Damian Wilson (Headspace, Threshold)
Floor Jansen (ReVamp, ex-After Forever)
Dan Swanö (Nightingale, Second Sky, ex-Edge Of Sanity)
Related Topics:

Managing editor/music guy/social media fella of Bloody-Disgusting

Advertisement
Click to comment

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

1 week ago

on

April 9, 2024

By

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

Continue Reading