Movies
M. Night Shyamalan to Produce, Instead of Direct?
M. Night Shyamalan is driving me crazy, I’m literally ready to pull my hair out over his endeavors. For years numerous reporters (myself included) have been saying that he’s an incredible director, but his screenplays are complete sh*t. It’s frustrating because he’s becoming one of the most wasted talents in the history of Hollywood – and now he’s taking all the negative reviews a little too personally and stepping away from the camera (although he’ll still be directing “The Last Airbender,” a live-action adaptation of the Nickelodeon property). Read on for the story on his producing gig, which will result in one new thriller per year.
Media Rights Capital and M. Night Shyamalan have formed the Night Chronicles, a financing/production partnership intended to generate one thriller per year for three years.
Shyamalan will produce but not direct, marking the first time he will produce a film he didn’t write and helm. Shyamalan will create the stories and ideas for the films and pick the writers and directors; MRC will finance.
Shyamalan and MRC will co-own the copyrights and retain artistic control.
Two factors in particular attracted MRC to the filmmaker: Shyamalan typically generates more movie ideas than he can execute, since he writes, directs, produces and often acts in the films he makes. And he has a track record of bringing his films in on budget.
The new venture marks the first major deal for Tory Metzger since she left CAA to become prexy of MRC Films, and she expects that Shyamalan will be very hands-on with the Night Chronicles product.
“These films will be based on ideas in keeping with what has made Night so successful, and has made him unique to his time,” Metzger told Daily Variety. MRC will set up each project for distribution when Metzger and co-CEOs Modi Wiczyk and Asif Satchu feel it’s best for the film.The projects aren’t formalized, and no writers have yet been hired, but Shyamalan has at least two ideas that could become films. The Night Chronicles will be based near Philadelphia, where the filmmaker lives and works. To oversee development, MRC has hired Ashwin Rajan, a veteran UTA agent who is Shyamalan’s cousin.
The MRC deal is the second Shyamalan has made recently that gives him a copyright ownership stake. His pact with India-based entertainment company UTV on “The Happening” gave Shyamalan a 25% ownership stake in the negative; that inventive deal gave the director his usual upfront fee but traded his first-dollar gross participation for an ownership stake and 50% of the film’s revenue stream, once 20th Century Fox and UTV recouped budget and P&A costs.
While the film hasn’t performed as strongly as some of Shyamalan’s past hits, “The Happening” cost around $50 million and is about to cross $150 million in worldwide gross. Shyamalan is in Japan to promote the film’s opening there.
“Filmmakers have always been my inspiration,” Shyamalan said in a statement. “Working with the next wave of innovative filmmakers will teach me many things that I can bring to my own writing/directing and give my stories the opportunity to be brought to the screen in a stunning way.”
Shyamalan next directs “The Last Airbender,” a live-action adaptation of the Nickelodeon property. Paramount has skedded the film for release on July 2, 2010.
MRC is in the midst of its most ambitious film slate since launching. The company has completed production on a half-dozen films ranging from the Robert Rodriguez-directed “Shorts” to “The Other Side of the Truth,” which Ricky Gervais co-wrote and co-directed with Matthew Robinson, and has a handful of projects in the pipeline.
MRC also recently launched its TV production slate that includes programming a Sunday-night primetime block for CW and has hatched digital projects that include an original animated series creation by “Family Guy’s” Seth MacFarlane that will be distributed by Google and YouTube.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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