Movies
The Top 10 Horror Comics Adaptations
The success, both critical and commercial, of Hellboy II: The Golden Army may be a little overshadowed by other more prominent comic book properties like Iron Man and The Dark Knight this summer, but it definitely deserves a place right alongside them. Mike Mignola’s irresistibly funky comic masterpiece has inspired a bona fide motion picture franchise–the second one might be even better than the first, if you ask me. There haven’t been all that many movies over the years that were based on horror-themed comic books (if anyone at DC is reading this, we need a “Demon” movie, pronto!), but The Golden Army is definitely one of the best. Aside from that one, what would be the top ten, in my opinion? Well I’m glad you asked…
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He may be a superhero, but much like HB, he’s a horror-themed superhero. And the movie based on him is without doubt one of the most underrated in the pantheon of comic book cinema. For one thing, John Leguizamo is spot-on as the Violator. While not a classic, this one just doesn’t get the credit it deserves.
While not as solid as its predecessor Tales from the Crypt, this second EC Comics-based flick is still pretty damn good. You’ve got guest appearances by the likes of Tom “Dr. Who” Baker, Denholm “Marcus Brody” Elliott and Dr. Phibes’ Terry-Thomas, so how could it not be entertaining? And no, the name of my blog in no way influenced this choice…
A truly great Swamp Thing movie has yet to be made, but this Wes Craven effort is still appealing in a creepy, quirky sort of way. Though flawed, it definitely beats the hell out of the movie based on that other bog-dwelling behemoth, Man-Thing.
Years before it ever became a hit HBO series, the greatest horror comic of all time inspired this British effort. It features the great Peter Cushing in one of his last horror roles, plus you’ve also got Hellboy II’s very own King Balor, Roy Dotrice. The legendary Sir Ralph Richardson, never above genre work, plays the Crypt Keeper.
A lot of fun, but it divides fans for one simple reason: it’s not terribly faithful to the original DC/Vertigo book Hellblazer on which it’s based. If you can get past that, it’s a pretty decent way to pass a couple of hours.
I’ll never stop being mystified at the pounding this movie took from a lot of fans, but you can count me among those who considered it a fresh and interesting vampire film at a time when fresh and interesting horror movies of any kind are hard to come by. Yes, the Steve Niles comic series was a lot better, but this was still an effectively brooding and visually powerful effort.
The best movie made from the work of brilliant comics writer Alan Moore (although that may change with next year’s Watchmen film.) The only thing that hurts it is the painful performance of the vacuous Heather Graham. Moore may have disapproved of the flick, but he’s kind of a wacko.
Another horror-themed superhero movie, Blade doesn’t get enough credit for truly helping to kick off the comic-book movie craze, a full two years before Bryan Singer’s X-Men. Blade may have been a fairly minor Marvel character created by Marv Wolfman in the `70s, but soon-to-be-prisoner Wesley Snipes’ portrayal of the vampire warrior in this blood-soaked action-fest made him an icon.
In terms of translating a comic book directly to the screen, only Sin City can hold a candle to Guillermo del Toro’s visionary adaptation. No one since Christopher Reeve has literally become the comics character they portrayed like Ron Perlman as big Red. And you can rank Hellboy II right up here with this one, as far as I’m concerned. Here’s hoping we get a third ASAP.
and finally, the number-one horror-comic adaptation….
Novelist/philosopher Umberto Eco has said of Tiziano Sclavi’s Dylan Dog series, on which this zombie classic was based, “I can read the Bible, Homer or Dylan Dog for several days without being bored.” It’s the best-selling Italian comic book of all time, and it inspired the last great Italian zombie movie. Martin Scorsese has called it one of the best movies of the `90s, and it’s definitely one of the best horror movies of that decade. Dark Horse put out English reprints some years back, with none other than Mike Mignola providing the covers (paisans stick together).
For more news and opinions on the world of horror, including how the genre will be represented at the Emmys, a look at the racism of H.P. Lovecraft, and the first part of the history of horror television, check out Brian’s daily blog, The Vault of Horror, at thevaultofhorror.net
This week kicked off with the release of hippo horror movie Hungry at home, and four more horror movies have arrived for at-home viewing as we head into the final weekend of June.
Here are the new horror movies that released on Friday, June 26, 2026!
The Halloween season can no longer be contained to the months of September and October, with “Summerween” becoming a thing in recent years. Essentially, it allows for Halloween to bleed into the warmer Summer months, and the first ever Summerween movie has arrived.
The Asylum released Summerween onto Digital outlets today.
In the film from writer/director Ryan Ebert, “On Summerween, a former circus clown escapes a mental institution to return to his abandoned mansion and hunt the teens partying there.”
Cole Chapleski, Chase Breithoff, Logan Roe, Sophia Sabol, and Clint Morrison star.
Director Ryan Ebert is the man behind a string of recent indie horrors we’ve covered, including Shark Side of the Moon, The Jolly Monkey, Jurassic Reborn, and Predator: Wastelands.
A witchy coming-of-age story from Dark Sky Films, Camp is now playing in select theaters.
Check your local listings to find a theater near you.
Camp is from writer-director Avalon Fast (Honeycomb, The Serpent’s Skin).
“Emily is the root cause of two devastating tragedies very early in her life, and she feels the weight of these accidents as though cursed. At her father’s suggestion, she takes a position at a summer camp for troubled youth to ease her guilt. When Emily arrives, she is welcomed by the other counselors, who accept her as she is and surround her with peace and forgiveness.
“As Emily begins to believe in a new kind of life, she starts to hear a voice whispering from deep in the woods — one that urges her to go home, and one that may be impossible to ignore.”
The film stars Zola Grimmer in her screen debut alongside Alice Wordsworth, Cherry Moore, Lea Rose Sebastianis (Castration Movie Part 1 & 2, In A Violent Nature), Ella Reece, Austyn Van de Kamp (This Too Shall Pass), Sophie Bawks-Smith (Honeycomb), Izza Jarvis, and Aiden Laudersmith.
Producers Tyler Perry and Jason Blum have joined forces for Peacock Original Strung.
The film is now streaming only on Peacock.
“A talented violinist takes a prestigious job as a music tutor for the gifted daughter of an influential and enigmatic family. As she becomes entangled in their opulent world, unsettling secrets begin to surface, forcing her to question her safety, her dreams, and even her sanity.”
Malcolm D. Lee (Scary Movie 5, Space Jam: A New Legacy) directs from a script written by Alan B. McElroy (Wrong Turn, Halloween 4: The Return of Michael Myers).
Chloe Bailey (“Swarm“), Lynn Whitfield (Jaws: The Revenge), Lucien Laviscount (“Scream Queens”), Anna Diop (Us), Coco Jones (Vampires vs. the Bronx), Langley Kirkwood (“Banshee”), and Romy Woods star in Peacock’s Strung.
Produced by Diablo Cody, director Meredith Alloway’s Forbidden Fruits brought a new coven of witches to the big screen earlier this year, and it’s now streaming on Shudder.
Lola Tung (“The Summer I Turned Pretty”), Victoria Pedretti (“The Haunting of Hill House”), Alexandra Shipp (Tragedy Girls), Gabrielle Union (Breaking In), and Emma Chamberlain star in Forbidden Fruits, released by IFC and Shudder.
Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours. But when new hire Pumpkin challenges the group’s ‘girl boss’ ways, the women are forced to face their own poisons or succumb to a bloody fate.
“Forbidden Fruits grabbed me by the neck the very first time I read it,” Diablo Cody said. “It’s one of the craziest, most creative, beautifully bonkers projects I’ve ever worked on.”
Meagan Navarro writes in her review for Bloody Disgusting, “Forbidden Fruits may not necessarily forge new terrain in the teen satire space, but Alloway brings so much style and energy to her well-cast single-location stage play adaptation for the Gen Z crowd.”
The film is an adaptation of playwright Lily Houghton’s stage play Of the Women Came the Beginning of Sin and Through Her We All Die. Alloway and Houghton co-adapted.
This week’s new release roundups are presented by HUNGRY.
All aboard the swamp tour from hell – this hippo isn’t playing games…
HUNGRY is now available on Digital. Watch it now!
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