Movies
Twisted Pictures and RKO Preps Their Slate of Remakes
It has been talked about for months now, RKO Pictures and Twisted Pictures (Saw I-V, Dead Silence) have teamed up to bring you four remakes of classic films from the ’30s and ’40s. Previously announced are remakes of I WALKED WITH A ZOMBIE, THE BODY SNATCHER, BEDLAM and FIVE CAME BACK. Inside you can read a bit more about the deal and what you can expect from the upcoming feature films.
Andy Fickman has made a deal with Roseblood Movie Company and Twisted Pictures to godfather four remakes from RKO’s horror heyday, including three that were produced by horrormeister Val Lewton. Fickman will direct at least one of the films.
Roseblood is the horror/thriller division of RKO Pictures, and Twisted is the horror division of Evolution Entertainment, financiers and producers of the “Saw” series. The companies will co-finance the films.
The remake properties are the Jacques Tourneur-directed “I Walked With a Zombie” (1943); the Robert Wise-directed Bela Lugosi-Boris Karloff starrer “The Body Snatcher” (1945); the Mark Robson-directed Karloff starrer “Bedlam” (1946); and the John Farrow-directed Lucille Ball-John Carradine starrer “Five Came Back” (1939).
The first three pics were produced by Lewton when he ran the horror division of the original RKO. Lewton co-wrote both “Bedlam” and “The Body Snatcher” under the pseudonym Carlos Keith.
RKO chairman Ted Hartley is producing the remakes with Twisted’s Mark Burg, Oren Koules and Carl Mazzocone. Jonathan Marshall is executive producer.
It’s the second recent multipicture deal for Fickman, who recently made a first-look deal with Disney, where he directed “The Game Plan” and is currently wrapping “Race to Witch Mountain.” Fickman became steeped in monster lore while working as a Universal tour guide and was intrigued with the way Lewton scared up fright hits on relatively small budgets.
“After Frankenstein and the Wolfman came Lewton and RKO, and what they lacked in budgets they made up for with atmosphere, imagination and great directors making horror with psychological flair,” Fickman told Daily Variety. “It was on the heels of WWII, when Nazi Germany showed that the scariest enemy might be the person who looked like your next door neighbor. It didn’t have to be some creature.”
Said RKO’s Hartley: “I have never met a filmmaker who has the level of appreciation and passion for films that Andy has for Lewton’s incredible creations.”
RKO last produced “Are We There Yet,” a remake of the 1946 RKO Cary Grant comedy “Mr. Blandings Builds His Dream House,” and produced the upcoming “Beyond a Reasonable Doubt” with Michael Douglas, to be released next year by After Dark Films.
Twisted Pictures next releases “Saw V” on Oct. 24, followed by the Nov. 7 release of the horror musical “Repo! The Genetic Opera,” starring Sarah Brightman, Paris Hilton and Paul Sorvino. Lionsgate distributes both pics.
After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.
You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!
Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.
Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”
“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.
She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”
Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.
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