Movies
‘Preacher’ to Find God in 2010?
A bunch of news sites reported today on Columbia Pictures’ long delayed adaptation of Vertigo’s Preacher comic series, while one in particular carried some important information. While I refuse to believe it until I see it, Collider is reporting that director Sam Mendes (Road to Perdition) hopes to get behind the camera come 2010 and bring ol’ Jesse Custard to life. John August is in the process of working on the new draft, but still no word on where the screenplay will take us. Out of sight, out of mind… call me when casting begins (when pigs fly).
“Preacher,” which ran from 1995-2000, told the story of a down-and-out Texas preacher possessed by Genesis, a supernatural entity conceived by the unnatural coupling of an angel and a demon. Given immense powers, the preacher teamed with an old girlfriend and a hard-drinking Irish vampire and set out on a journey across America to find God — who apparently had abandoned his duties in heaven — and hold him accountable for his negligence.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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