Movies
Deleted Scenes from ‘A Nightmare on Elm Street’ Remake
New Line Cinema’s A Nightmare on Elm Street remake is now in theaters everywhere, but it wasn’t an easy production. Those of you keeping up with the production might have noticed some major changes in the script, and film itself. The movie originally opened with a house party and the kids playing rock band (footage from the first trailer shows someone falling out of a window). Then there were multiple removed dream sequences (one involving a dream version of “Elm Street”, a possessed dog, along with a scene where Freddy “unzips” out of Quentin’s body), and even a new ending. Not to mention missing scenes during the “micro naps” sequences. There’s a whole movie within a movie to say the least. Will we see it on DVD/Blu-ray? I hope so. For those of you who want to get a better idea of what’s missing, all you have to do is read on and reflect back to our 4-part set visit report. You’ll find details, images and a video from the set of one of the removed scenes.
SET VISIT:
READ PART 1
READ PART 2
READ PART 3
READ PART 4
PREVIEW PIECE: BIRTH OF A NEW FREDDY
OTHER RANDOM GOODIES:
OUR REVIEW
YOUR REVIEWS
VIDEOS
IMAGES
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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