Movies
Leaked Plot Details for Guillermo del Toro’s ‘Pacific Rim’!
Spoiler-filled plot details have leaked for Warner Bros. Pictures and Legendary Pictures’ Pacific Rim, which Guillermo del Toro has official come aboard to direct.
The following comes courtesy of News in Film, even though the screenplay is being retooled: “In alternate version of Earth in the near future, decades after a historic date in November 2012 when the first kaiju, a towering Godzilla-like beast, emerged from a hole in the Pacific Ocean and attacked the city of Osaka, Japan. The second is “The Anteverse,” another universe on the other side of that gaping portal, 5 miles below our ocean’s surface.
Since the first attack, the rim has been “spitting out” a variety of gigantic monsters at an increasing rate, which then stride out of the ocean and begin destroying sea-bordering cities, like Tokyo and Los Angeles. In order to combat these monstrous, otherworldly menaces, the military developed the “Jaeger” program, which trains teams of two pilots to jointly operate massive, building-sized mechanized suits of armor and high-tech weaponry….” Continued inside.
“….Within the first act alone, we are given enough detailed background on the god-like Jaeger systems, its shared neural piloting system (called “pons”), and the relentless beasts. But Beacham is an absolute master at immediately establishing characters and their conflicts.
The central character is Raleigh Antrobus, 23, a skilled Jaeger pilot still wrestling emotionally with the loss of his co-pilot and biological brother, Yance, during a mission a year earlier. The ordeal has wreaked havoc on his mind spirit, leaving him with ghostly nightmares of the battle from the shared “pons” experience. After the initial setup, the damaged hero is recruited to re-join the task force in Tokyo, where pilots are in demand, and team with a fellow “leftover,” 22-year-old female Japanese pilot Mako Mori. Naturally, the language barrier (among other things) presents an issue for the out-of-sync duo, meaning an even steeper learning curve for the unprecedented pairing.
Meanwhile, Felicity “Flick” Kincaid, a journalist and Yance’s former fiancée, circles the globe (ours) to discover answers about this mysterious rift and the origins of its intensifying threat.“
Two things that have proven to be pretty dependable at the box office in recent years are horror movies and Christopher Nolan movies. With Nolan’s The Odyssey absolutely dominating the box office this past weekend, many fans of Nolan’s work have been left hungry for a Nolan-directed horror movie. After all, The Odyssey does whet the appetite for Nolan nightmare fuel.
Christopher Nolan has brushed up against the horror genre in the past with 2002 thriller Insomnia, but does he have any interest in someday making a full-on horror movie?
Nolan tells the Empire Podcast in a new chat, “I’ve always been interested in doing a horror film.”
“But horror is most successful when the conceptual framework of whatever the story is is just so undeniable. I think there are very few really great horror movies,” Nolan continues.
So why hasn’t Christopher Nolan directed a horror movie yet?
He explains to Empire, “I’ve never clicked with a particular idea or concept that worked for me. I love the genre. Of all genres, it’s the most visceral. Where the direct response to the audience is the most important. That is to say, you’re trying to make people literally feel something in their bones about what’s going on on-screen.”
Nolan calls horror “a genre in which experimentation is demanded.” He explains, “I go to see a lot of horror films with my kids these days, and you’ll see things in the first half an hour, 45 minutes of any horror film that you’d never see in another genre. Risks that are taken. Dangerous approaches to things. Admittedly, a lot of movies can’t sustain that to the end. But in the horror genre, that kind of innovation is not just respected – it’s really demanded.”
Christopher Nolan’s The Odyssey is now playing in theaters.
Cillian Murphy as Scarecrow in Christopher Nolan’s ‘The Dark Knight’ (2008)
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