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‘Kong: King Of Skull Island’ Becomes Animated Feature At Fox

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Back in 2009, Kong: King Of Skull Island was optioned by Spirit Entertainment with the intent of producing a motion-capture (possibly 3-D) film. Based on a novel that came out around the same time as Peter Jackson’s remake, the story focused on the backstory of Skull Island and how the giant gorilla became king there, introducing other giant gorillas and dinosaurs only hinted at in the previous films.

Deadline reports that Fox has recently picked up the project and plans to turn it into an animated feature that is a modern-day take on the King Kong story told from the ape’s perspective. Christian Magalhaes and Bob Snow, whose ‘Murder of a Cat’ script made the Black List, have been hired to pen the tale. This sounds a little too ambitious to be DTV, but I can’t really say whether or not general audiences are salivating for more giant ape adventures, especially when the last two attempts to bring the story to the big screen failed to set the world on fire – I love Jackson’s version, though.

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Movies

‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller

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Pictured: Jennifer Holland in 'Peacemaker'

Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.

B.J. Golnick (“Hunting Hitler”) will be directing Brine.

Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.

When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.

Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.

Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.

“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”

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