Quantcast
Connect with us

Movies

‘Attack the Block’ Roundup, Clips — Only Eight Theaters?

Published

on

Sony Pictures is starting slow with the release of Joe Cornish’s widely beloved UK horror Attack the Block, opening it only 8 theaters before hopefully expanding over the next few weeks. You’ll find a list of the initial theaters below.

In addition, by clicking here you’ll find a trio of clips, with our video interview and trailers from the flick that follows a gang of South London teenagers defending their housing project home against an alien attack.

But in the end we just want to know what YOU think of the movie. So head on over to our review page and write your own to tell all of Bloody what you thought.

Attack the Block

Attack The Block is a fast, funny, frightening action adventure movie that pits a teen gang against an invasion of savage alien monsters. It turns a housing estate into a SCI-FI PLAYGROUND. A tower block into a fortress under siege. And weapon wielding teenage thugs into heroes. Think ASSAULT ON PRECINCT 13 only with monsters and a tower block. Or LA HAINE crossed with ALIENS. It’s inner city versus outer space.

Trainee nurse Sam is walking home to her flat in a scary South London tower block when she’s robbed by a gang of masked, hooded youths. She’s saved when the gang are distracted by a bright meteorite, which falls from the sky and hits a nearby parked car. Sam flees, just before the gang are attacked by a small alien creature that leaps from the wreckage. The gang chase the creature and kill it, dragging its ghoulish carcass to the top of the block, with they treat as their territory.

While Sam and the police hunt for the gang, a second wave of meteors fall. Confident of victory against such feeble invaders, the gang grab weapons, mount bikes and mopeds, and set out to defend their turf. But this time the creatures are bigger. Much bigger. Savage, shadowy and bestial, they are hunting their fallen comrade and nothing will stand in their way. THE ESTATE IS ABOUT TO BECOME A BATTLEGROUND. And the bunch of no-hope kids who just attacked Sam are about to become her, and the block’s, only hope.

AUSTIN
Alamo Drafthouse Cinema – Link
1120 S Lamar Blvd
Austin, TX 78704

CHICAGO
AMC River East 21 – Link
322 E Illinois St
Chicago, IL 60611

LOS ANGELES
Arclight Hollywood – Link
6360 W Sunset Blvd
Los Angeles, CA 90028

NEW YORK
AMC Empire 25 – Link
234 West 42nd Street
New York, NY 10036

Regal Union Square Stadium 14 – Link
850 Broadway
(between 13th St & 14th St)
New York, NY 10003

SAN FRANCISCO
AMC Loews Metreon 16 – Link
101 4th Street
San Francisco, CA 94103

SEATTLE
Meridian 16 Cinemas – Link
1501 7th Ave
Seattle, WA 98101

TORONTO – Link
AMC 24 Yonge & Dundas
10 Dundas St E
Toronto, ON M5B 2G4

Click to comment

Movies

‘Corpus’ Review: A Seductive Slow-Burn Erotic Thriller With a Supernatural Twist [Fantasia 2026]

Published

on

Corpus Review

Director Corrin Evans‘ sweaty, immersive voyage back to the ’90s deftly bypasses nostalgic pastiche thanks to strong form and vision in his feature debut, Corpus. Evocative of 1998’s High Art in indie attitude, style, and themes, Corpus so effectively pulls you into its brooding vision of identity and intimacy that its supernatural elements become almost an afterthought in this slow-simmering psychological thriller.

Evans, who co-writes with Lily Cowles, opens Corpus with a discomforting attention grabber that sees a young woman, Wren (YellowjacketsNuha Jes Izman), put in an increasingly awkward, then disturbing position at a professional photo shoot. The scene abruptly cuts right at the cusp of sexual violence, setting in motion the overarching mystery that protagonist Sayo (Jeff Wahlberg) slowly discovers he’s been pulled into.

Corpus introduces Sayo as an aspiring photographer with an eye for composition, but one who scrapes by in New York City dealing drugs at nightclubs. His quiet routine gets upended with the return of Vince Marlowe (Brodie Townsend), a star on the rise and Sayo’s longtime crush. Vince convinces Sayo and their mutual pal Ross (Michael Vlamis) to accompany him to an exclusive party hosted by his affluent photographer friend Billie (Lily Cowles). Instead of a bustling gathering filled with prominent guests, though, Sayo is surprised to arrive at an isolated estate deep in the woods, with only Billie, Billie’s strange friend Cata (Ching Valdes-Aran), and Wren to greet them.

It’s the type of bait-and-switch that should set off warnings within Sayo, but his unresolved feelings for Vince override his sense of survival as the strange behaviors grow more sinister over the weekend.

Sayo’s loneliness becomes the epicenter for Evans’ sensual examination of modern relationships, intimacy, and gender norms. As such, Corpus favors slow simmering, sensual unease as Evans dials into the push and pull among its central relationships. More acutely, Sayo’s deep confusion takes center stage as he tries to navigate his perplexing dynamic with the object of his desire. Vince runs hot and cold. Flirtations and advances are sometimes encouraged, sometimes rejected. Not helping is the bizarre dynamic between Billie and her mysterious “friend” Cata. Or Wren’s new feral persona, a far cry from her timid opener.

Fixating so thoroughly on the intricacies of Sayo and Vince’s will-they-won’t-they adds meaty thematic depth, a haunting depiction of loneliness leaving someone vulnerable to different forms of manipulation. It’s here where Evans slowly, ever so slowly, layers in hints of horror. Sensuality and relationship drama take center stage, and while Evans’ strong grasp of form makes for a compelling watch that holds you firmly in its grip, its middle section is prone to pacing lulls. 

So much so that by the time Corpus is ready to reveal its sinister horror surprise, it feels almost too little too late. The disorienting nature of desire and intimacy gives way to a full-throttle home invasion that lays all intentions bare and finally unmasks its horror, but it comes in a frenzied rush that can’t wait to conclude Sayo’s erstwhile romantic pursuits. 

The restrained horror does frustrate in the wake of the film’s potent cold open, raising the expectation for a more energetic journey that never fully arrives, but what it lacks in supernatural scares it makes up for in style and atmosphere. Wahlberg makes for a complicated, sympathetic lead as the vulnerable romantic struggling to find his place in the world, let alone whether he’s destined for love or the friendship zone. The ’90s setting doesn’t just remove the pesky problem of smartphones when trouble arises; it lets Evans play with form and incorporate photography techniques that raise visual interest. Even the music adds rich texture. It all makes for a stylish debut with a strong voice at the helm, but it never pushes far enough into erotic thriller or horror territory to fully unsettle. 

Corpus made its premiere at the 2026 Fantasia International Film Festival. Release info TBD.

3.5 out of 5

Continue Reading