review
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‘Happy’s Humble Burger Cult’ Review: Deliciously Addictive Multiplayer Horror
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Meta Horror ‘I Know Exactly How You Die’ Was A Draft Away From Greatness [Review]
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‘Xenopurge’ Is More Than Just Another Bug Hunt [Review]
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‘Total Chaos’ Is One of the Scariest Games of 2025 [Review]
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‘Terrifier: The ARTcade Game’ Revels in Simple, Gory Fun [Review]
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Channel Surfing Turns Spooky in ‘Transmission’ [Review]
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‘Shaman’ Deconstructs the Standard Possession Film [Review]
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Stephen King’s ‘Never Flinch’ Is a Messy Exploration of Feminism and Addiction [Review]
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Gummy Zombies Attack in Clive Barker’s Animated Movie ‘Night of the Zoopocalypse’ [Review]
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‘Sadako DX’ Review – The Latest ‘Ring’ Installment Attempts a Horror-Comedy Reinvention
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[Review] Giallo Tribute ‘The Night Sitter’ Is a Dreamlike Visual Treat
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Double Murder Ep 69: ‘Suspiria’ (Original vs. Remake)
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[Review] ‘Days Gone’ is a Solid, Enjoyable Post-Apocalyptic Epic Lacking in Innovation and Inspiration
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[Review] ‘Devotion’ is a Masterful Slice of Taiwanese Horror
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[Podcast] Double Murder Ep 68: ‘Halloween’ (2018) vs ‘Halloween H20: Twenty Years Later’ (1998)
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[SXSW Review] Suspenseful ‘A Quiet Place’ Delivers Monster-filled Mayhem!
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[Blu-ray Review] ‘Blood Beat’: The Crazy Christmas Samurai Slasher!
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[Fantastic Fest Review] Icelandic Slow-Burn ‘Rift’ is a Mesmerizing Exercise in LGBTQ Horror Done Right
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Through the Cracks: ‘Freak’ is a Hidden Slasher Gem
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7 Days! Ranking the ‘Ring’ Films
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[NFF ’16 Review] ‘Family Possessions’ Is Kooky Fun
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[NFF ’16 Review] ‘The Night of the Virgin’ Is Disgustingly Unforgettable
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[NFF ’16 Review] ‘Diary of a Deadbeat’ Is An Honest Look At A Cult Filmmaker
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[NFF ’16 Review] ‘Chicago Rot’ Is An Ambitious, Genre-Bending Debut