Movies
‘World War Z’ Might Not Be What We Hoped For
When I try to picture World War Z through the lens of a camera, I still think it would be best adapted as an HBO mini-series like Band of Brothers. It has an episodic feel to it, highlighting the aftermath of a war between humans and zombies and some of the horrific events that transpired during it.
With Paramount now in-production on their full-length feature with Marc Forster at the helm, it was uncertain how they could cram all those vignettes into one flick and keep audiences invested in characters they would only meet for minutes at a time (unless they planned on making a four-hour movie). The studio just released an official plot summary, which details a far removed interpretation of Max Brooks beloved novel.
The story revolves around United Nations employee Gerry Lane (Pitt), who traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments and threatening to decimate humanity itself. Enos plays Gerry’s wife Karen Lane; Kertesz is his comrade in arms, Segen.
This is a little more straight forward and easily digestible for general audiences, but it’s kind of a pointless move considering they’re releasing it against a Johnny Depp flick and a week after The Hobbit, both of which have a better chance of winning big at the box office – there’s no way that date is going to stick unless Paramount doesn’t care about recouping their money. Since it now takes place during war, rather than afterwards, it doesn’t even seem like much of adaptation. Still, this could end up being a compelling tale, just not the one we were expecting.
World War Z opens on December 21, 2012.
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.
‘I Walked With a Zombie’ (1943)
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