Movies
[Review] FF ’11: ‘The Human Centipede 2 (Full Sequence)
*Update: Read two more reviews on Bloody.
Reviews have begun pouring online so I figured we may as well post our first in a series hitting Bloody Disgusting. Brad McHargue (@BradMcHargue) reports in from Fantastic Fest following the world premiere of Tom Six’s The Human Centipede 2 (Full Sequence). Much like the reviews I’ve seen thus far, McHargue was NOT a fan, which actually makes me even more excited to see it myself.
You can watch the intro to the screening at Corey Mitchell’s online blog, with the first review inside. Watch this spot for David Harley’s thoughts in the coming week, with a potential third review if any of the staff like the film. I love a bit of controversy!! You’ll find the first theatrical listings here.
The sequel tells the tale of a man named Martin who is obsessed with the first Human Centipede film. When not watching the film ad infinitum and dissecting each scene during his boring desk job as a security guard for a parking garage, he’s knocking people out with a crowbar, tying them up, and taking them to a warehouse so he can create his own human centipede. Hatred of everything ensues.
Let’s start with the good. Laurence R. Harvey was excellent as Martin, spending the duration of the film exemplifying a seemingly mentally challenged man through nothing more than grunts, cries, screams, and the distant look of a man who is clearly insane. He lives with his mother, an old woman with aspirations of killing herself and her son, and through this glimpse of his home life we see a man whose sole source of joy comes from a movie. In this we get rare moments where he manages to elicit a modicum of sympathy; it’s not Bambi, but many can empathize with a lonely man lost in a film. This, of course, is abandoned when he, say, rips out someone’s tongue or rapes someone with barbwire covering his penis.
Beyond that, the cinematography was quite good, with the entire film being shot in black and white, giving it a distinctly…disturbing feel that most likely would have been lost had it been in color. It’s dark, it’s gritty, and when the blood flows (and believe me, it does), it’s black, much like Tom Six’s heart. It’s well shot, but that can do nothing for the “bad” of the film, which is, well, everything.
The Human Centipede 2 should not exist. It is disgusting, offensive, and does nothing but push every possible button and cross every boundary of human decency without making any sort of statement beyond “I’m doing this because I can.” With scenes ranging from masturbating with sandpaper (with nothing left to the imagination) to a veritable conga line of fecal consumption initiated by a well-placed syringe of laxatives in the buttocks, each scene in The Human Centipede 2 serves as nothing more than a reminder that there is no God, and, if He does exists, then he sent Tom Six as punishment for our misdeeds. If torture porn exists as a maligned sub-genre, this film exemplifies it.
The Human Centipede 2: Full Sequence is a complete one-eighty from the first film. Whereas the first was a unique exercise that managed to satisfy (despite its premise) with an interesting story supported by a creepy main character, the sequel manages to be nothing more than a demented pervert’s greatest hits. Devoid of anything redeemable, The Human Centipede 2: Full Sequence is an affront to mankind, and I hate Tom Six for its existence.
If this is Six’s natural progression, then the third film will be investigated for crimes against humanity.
0/5 Skulls
Movies
‘Werewolf By Night 2’? Michael Giacchino Says It’s Being Talked About But “Everything Takes Forever”
It was Oscar-winning composer Michael Giacchino who sat in the director’s chair for Marvel’s Disney+ Halloween special Werewolf by Night back in 2022, which was released in both throwback black & white as well as full color. But are we ever getting a sequel?
Giacchino tells Screen Rant in a new chat this week that he remains hopeful.
“We’re talking about it,” Giacchino explains. “Everything takes forever to do. There’s a lot of planning that has to happen. Everything has to fit in a particular place at a particular time.”
He adds, “So, nothing moves as fast as we’d like it to. But I hope one day that you will be sitting there watching another Werewolf by Night. That’s my hope.”
Inspired by horror films of the ’30s and ’40s, Marvel Studios’ Werewolf by Night takes place on a dark and somber night as a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader.
In a strange memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Meagan Navarro wrote in her review for BD, “The MCU kicked the horror into overdrive with Werewolf by Night. The nearly hour-long feature presents as a classic horror movie, dropping viewers into the middle of a secret world of monster hunters. Film composer Michael Giacchino directs the special, penned by Heather Quinn and Peter Cameron. Giacchino focuses on evoking the classic horror vibe to assist in the initial worldbuilding. The events play out in monochrome, save for the vibrant red glow of the Bloodstone. Cigarette burns and film grain get added for that retro look. The rules of the hunt get relayed to the cutthroat candidates by way of reanimated dead, albeit in a much campier and family-friendly way via animatronics.”
“Aside from the aesthetics, Werewolf leans heavily into the mysterious,” Meagan continued. “The black and white cinematography more than sets the retro vibe; it allows the feature to remain accessible to a wider audience even as it lets its monsters and monster hunters spill plenty of blood. Toss in a Jack Pierce-inspired beast with practical application, and you’ve got a modern superhero story with a classic Universal Monsters makeover.”
