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[Tribeca ’12] A Look At ‘Resolution’, A Film That Defies Genre Classification

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Rat King, Replicas… with Tribeca horror features, it’s usually pretty difficult to get a full flavor of what the films will be like, as they are often world premieres or shrouded in some sort of secrecy. That being said, there is still one film on my radar that I’m looking forward to covering for sure, and that is Resolution, directed by Justin Benson and Aaron Scott Moorhead.

Michael is committed to getting his best friend Chris to sober up and put his life back on track. But what begins as an attempt to save his friend’s life quickly takes an unexpected turn as the two friends confront personal demons, the consequences of past actions, and forces beyond their control. Expertly balancing dark humor, heart, and thrills, Resolution is an utterly unique cinematic experience that defies genre classification.

The drug dealer violence / detox slant looks like it makes for some good tension, but with the synopsis saying that it defied genre classification – I got wary as to whether or not this was something BD viewers would want within their horror realm. I contacted newcomer Justin Benson and asked him what we might expect. ResolutionWhile the “defies genre classification” part is accurate, we also proudly embrace that we are “a horror movie.” Even though Resolution is not an homage to anything in particular, and every decision we made went toward making something we’d never seen before, there is one horror movie tradition we firmly stuck to: making the smartest, funniest, creepiest movie we could make, with whatever resources we could scrounge up.

Justin went on to mention how he reads Bloody-Disgusting every morning while he has his coffee, so I asked him where his blood roots were embedded.

There are so many amazing films across the broad spectrum of horror that we admire. Actually the list of horror films we love is massive and gets pretty obscure. That being said, in the making of ‘Resolution’ we respectfully tried to make something all our own. Horror is the most intelligent, inventive and diverse genre in film making, and we worked hard at every stage of the movie to make sure we lived up to that under appreciated tradition.

Justin Benson has written, directed, and worked just about every odd job in the film industry. He has directed several short films and commercials. Resolution is his first feature. Aaron Moorhead directed his first feature at only 19 years old. He has worked as a cinematographer, director, VFX artist, and colorist, and has shot several indie features, shorts, and commercials.

Resolution makes its world premiere at the 2012 Tribeca Film Festival this April 20th in New York City.

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‘Obsession’ Is Now Officially the Highest Grossing Horror Movie of 2026!

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Curry Barker’s Obsession has been on a generational run at the box office these last several weeks, with the incredible word-of-mouth driving the box office totals higher and higher and higher with each passing week. After a debut weekend of $17 million, Obsession made a whopping $23 million in its second weekend, and then scared up $26.4 million in its third weekend. In its fourth weekend, Obsession just scared up another $25.6 million in the U.S.!

Deadline notes in a report this morning, “Obsession reps the biggest fourth weekend ever for a horror movie ahead of 1999’s Blair Witch Project which did $24.3M.”

Worldwide, Obsession is now the highest grossing movie in history for Focus Features. The current worldwide total is $224.7 million, while the domestic total is $152.1 million.

That also makes Obsession the highest grossing horror movie of 2026, far exceeding the $207.9 million worldwide total ($121.9 million domestically) of Scream 7 earlier this year!

Yes, the highest grossing horror movie of 2026 is an ORIGINAL HORROR MOVIE!

The best part? The production budget for Obsession was just $750,000, with Focus Features acquiring the film for a reported $15 million. Even when you factor in the marketing spend and the fact that theaters get their own sizable cut, this one is a MASSIVE win for Focus.

From A24 and director Kane Parsons, Backrooms is already nipping at the heels of that record after just a couple weeks in release. The current domestic total of Backrooms is $135 million, while the worldwide total is now sitting at a very healthy $212.6 million. That means Backrooms has also already surpassed Scream 7, and may soon pass Obsession as well.

In Curry Barker’s theatrical debut Obsession, after breaking the mysterious One Wish Willow to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.

Inde Navarrette (“Superman & Lois”) and Michael Johnston (“Teen Wolf”) star.

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