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[Tribeca ’12] A Look At ‘Resolution’, A Film That Defies Genre Classification

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Rat King, Replicas… with Tribeca horror features, it’s usually pretty difficult to get a full flavor of what the films will be like, as they are often world premieres or shrouded in some sort of secrecy. That being said, there is still one film on my radar that I’m looking forward to covering for sure, and that is Resolution, directed by Justin Benson and Aaron Scott Moorhead.

Michael is committed to getting his best friend Chris to sober up and put his life back on track. But what begins as an attempt to save his friend’s life quickly takes an unexpected turn as the two friends confront personal demons, the consequences of past actions, and forces beyond their control. Expertly balancing dark humor, heart, and thrills, Resolution is an utterly unique cinematic experience that defies genre classification.

The drug dealer violence / detox slant looks like it makes for some good tension, but with the synopsis saying that it defied genre classification – I got wary as to whether or not this was something BD viewers would want within their horror realm. I contacted newcomer Justin Benson and asked him what we might expect. ResolutionWhile the “defies genre classification” part is accurate, we also proudly embrace that we are “a horror movie.” Even though Resolution is not an homage to anything in particular, and every decision we made went toward making something we’d never seen before, there is one horror movie tradition we firmly stuck to: making the smartest, funniest, creepiest movie we could make, with whatever resources we could scrounge up.

Justin went on to mention how he reads Bloody-Disgusting every morning while he has his coffee, so I asked him where his blood roots were embedded.

There are so many amazing films across the broad spectrum of horror that we admire. Actually the list of horror films we love is massive and gets pretty obscure. That being said, in the making of ‘Resolution’ we respectfully tried to make something all our own. Horror is the most intelligent, inventive and diverse genre in film making, and we worked hard at every stage of the movie to make sure we lived up to that under appreciated tradition.

Justin Benson has written, directed, and worked just about every odd job in the film industry. He has directed several short films and commercials. Resolution is his first feature. Aaron Moorhead directed his first feature at only 19 years old. He has worked as a cinematographer, director, VFX artist, and colorist, and has shot several indie features, shorts, and commercials.

Resolution makes its world premiere at the 2012 Tribeca Film Festival this April 20th in New York City.

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Steven Spielberg to Produce ‘The Mandela Catalogue’ Movie Based on Viral YouTube Series

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Hollywood is serious about landing the next Backrooms. Hot on the heels of a Siren Head feature announcement, Deadline reports that a new movie based on viral YouTube series The Mandela Catalogue is in development.

It also has some Hollywood heavy hitters behind it.

Amblin Entertainment’s Steven Spielberg, United Artists’ Scott Stuber (Frankenstein), and Amazon MGM Studios are set to produce, emerging victorious after a highly competitive 11-studio bidding war.

Launched in 2021, the YouTube series is set in the fictional Mandela County, Wisconsin which is “invaded by shape-shifting, nearly immortal creatures called Alternates. The Alternates are led by a false depiction of the Archangel Gabriel and their aim is to wipe out the human race by psychologically torturing them to the point of suicide. The Alternates are known for manipulating AV media, TVs, computers and GPS systems.”

The movie will be directed by the series’ creator, Alex Kister, based on a screenplay he adapted with Tyler Clifton.

The Mandela Catalogue has racked up an impressive 100 million views across its official episodes alone, solidifying it as one of the largest original analog horror franchises on YouTube.

Spielberg and Holly Bario are producing for Amblin Entertainment alongside Aaron B. Koontz for Paper Street Pictures and Stuber and Nick Nesbitt for United Artists. Kister and Clifton are also producing. Annie McCreery will oversee the project for United Artists. Maria Fortese will oversee for Amblin.

Get acquainted with The Mangela Catalogue below while we wait to learn more.

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