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Pick Of The Week: ‘Footprints’ GN

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Fellow comic journalist, Joey Esposito, from IGN.com launches his first venture in comic writing with the collected edition of Footprints. Joey Esposito has spent a lot of time reading and writing about comics, and in this ridiculous pulpy tale it shows that all his hard work has not been in vain. “Footprints” centers around mythological monsters like, Bigfoot and the Jersey Devil, among others, who have outed themselves to the public, and formed a team of hard-boiled detectives. The book is abstract, gritty, comical, and it’s an absolutely splendid crime story. Footprints not only re-appropriates the noir genre, but does so with gusto and passion that flies off the pages. With “Footprints”, Esposito and Moore have created an incredible monster-noir tale that will leave you pleading for more.

WRITTEN BY: Joey Esposito
ART BY: Jonathan Moore
PUBLISHER: 215 Ink
PRICE: $11.99

When it comes to absurd ideas, what medium presents them better than comic books. Esposito is well aware of this, and he takes full advantage of it throughout the story. Mythological creatures, Bigfoot, Yeti, The Jersey Devil, and other cryptids have come out of hiding in an attempt to function in the real world (not unlike Ugly Americans). Bigfoot, or Foot as they call him, is a washed up private investigator who, after discovering his brothers mutilated corpse, decides to get the old monster-detective team together to solve the case. Despite the fact that each character fits into a distinct archetypal role, it never feels forced. Each character has a unique voice, and in the end they all play a key function in the grand scheme of things.

The plot is completely outrageous, but Esposito is unabashed in his delivery. Seeing Bigfoot riding on top of the Loch Ness Monster may seem silly out of context, but within the confines of “Footprints”, it works wonders. What solidifies the story is the interwoven subplot that reverts back to the past, revealing dirty little secrets that have a huge impact on the present case. If you read crime fiction, you’ve seen this before, but the creative team does an incredible job of presenting it in a slightly different way. Esposito’s command of the comics medium is evident throughout the story, and somewhat shocking considering this is his first book. His presentation and dramatic pacing keep the reader engaged, even with such a zany story.

Esposito and Moore fill the book with little details that force you to pay close attention to each panel, no matter how small. They don’t simply rely on dialogue to move the plot forward, but like with all good noir stories, it’s the subtext that plays an essential role. Whether it’s a broken picture frame, a small note, or a hand gesture, “Footprints” is filled with great subtleties that showcase how wonderfully ideas can be presented in graphic storytelling . This is invigorating storytelling, and neo-noir at it’s finest.

Another aspect of the book that gives it that punchy, pulpy goodness is the dialogue. Who on earth would have thought to make The Jersey Devil a caricature of Jersey meat heads. He’s over the top in every possible way and it’s hilarious. I rarely laugh when I read comics, but this one had me. The combination of the rough and tough language, the absurdity of the premise, and intertwining narrative, make “Footprints” an extremely original, extremely fun read.

While Esposito’s writing carries the book, it owes a lot to the artwork of Jonathan Moore. I’m a sucker for black and white art, but the way Moore captures the quintessential crime expressionist lighting, the character expressions, and the subtleties in the panels is astonishing. The sketchy lines, dark shading, and cluttered spaces set the mood from page one. While some panels are a bit too jumbled, I felt that it only added to the notion that the audience isn’t supposed to know entirely what’s going on until the end. Whether intentional or not, it worked. Much credit is also due for making Foot and the gang look so cool despite being monsters in clothing trying to solve crimes.

If you thought you knew noir, think again. “Footprints” re-imagines crime fiction in a world where all the cheesy hoaxes you could think of are real. It’s everything you could want from a noir story and more. Joey Esposito has made a name for himself as a comics journalist, it won’t be long before he does it again as a comic writer. “Footprints” is one hell of a good read.

Check out issue #1 for free here!

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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