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‘Piranha 3DD’ Experiment Not Really An Experiment; Failure or Success?

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Update: A source close to the production tells us that the pre-rebate budget was $8M with about $3M going to above the line (rights, producers, cast, etc.). They also reveal what I already suspected… Dimension has already made money internationally. It’s NOT a failure. The end.

Dimension Films is kicking the PR into high gear with their weekend release of Piranha 3DD, which opened in 86 theaters day-and-date with VOD this past Friday. All of the major trades are declaring it a big “experiment,” which is absolutely hilarious considering Magnolia, IFC, Freestyle Releasing, Anchor Bay and various other distributors have been testing these waters for years now. The only real experiment is to see how much hype they can build with PR declaring it an experiment. In fact, Dimension pulled a day-and-date release with Hellraiser: Revelations and Children of the Corn: Genesis (although a pair of theaters barely counts).

Anyways, numbers can lie. And frankly, it’s impossible to know if this “experiment” is a success or failure mostly because we don’t have all of the numbers. Reporting is as a success or failure is inaccurate at this point in time.

IMDB claims the budget is a disgusting $20,000,000. Variety reports that Piranha 3DD opened in 86 theaters for a three-day take of $179,000, or a per screen average of $2,000, or half that of the original. And VOD numbers won’t be available for at least two weeks (usually it takes months, especially with cable providers). This looks terrible.

But when you factor in that we don’t know what the real budget was, how much they spent on marketing materials/digital prints/3d glasses, what kind of rebate Dimension received from Baton Rouge, Louisiana (I believe they get 30% back, so roughly $6 million), how much the film has sold for internationally (Dimension owns worldwide rights), and any other factors unlisted… it’s impossible to be on the outside and know how successful it actually is.

Point is, all of these Web reports are beyond ludicrous and harmful to future films (it sends the wrong message) hoping to attempt a similar release. The only “facts” are the theatrical numbers, and based on these numbers it would appear to be a dud (a $20 million loss). Appearances can be, and usually are, deceiving.

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‘Jimmy and Stiggs’ – Argentine Spinoff Movie ‘Burger Night’ Announces All-Female Cast

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Released by Eli Roth’s label The Horror Section last year, Joe Begos (VFW, Christmas Bloody Christmas) horror movie Jimmy and Stiggs is getting an official spinoff movie.

Sebastián De Caro has acquired the Argentine spin-off rights to Jimmy and Stiggs from The Horror Section, and his spinoff movie will follow new characters in Argentina.

The title? Burger Night: Luli, Magda & Lore. Eli Roth and Joe Begos will Executive Produce the film, which centers on the same alien threat from Jimmy and Stiggs.

Variety reports this afternoon that the film will feature an all-female cast.

Agostina Palazzolo (“Ciclón), Agustina “Papry” Suásquita (Netflix’s “Envious”) and Maia Tarcic (“Letters to My Ex”) will star in Burger Night: Luli, Magda & Lore.

“I am thrilled with the cast — these are women of extraordinary talent, true cinema lovers, brave and wild. They are going to surprise everyone. Each one understands her character perfectly and they all fell in love with the original material,” Sebastián De Caro said.

In Jimmy and Stiggs

A perfect storm of lousy news sees out-of-work filmmaker Jimmy spiral into a bender, during which he claims to have been abducted by aliens. Fearing their return, he contacts his old friend Stiggs to help him gear up for war. Begos stars alongside Matt Mercer (Contracted), practical alien puppets, and a whole lot of gore captured on 16mm film.

Daniel Kurland wrote in his review, “The world needs more playful, gonzo small-scale-yet-apocalyptic horror films like Jimmy and Stiggs. It’s a movie that has constant tricks on display and perpetually sprays blood in the audience’s face, but there’s an earnest center to it all.”

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