Connect with us

Editorials

The 10 Scariest Video Game Music Tracks

Published

on

Written by Brittany Vincent

It’s easy to escape disturbing imagery. You just close your eyes. In an instant, the offending blight on your vision disappears. Traces may well remain in the shelter of your eyelids, but for the moment you’re in the clear. A haunting melody, however, lingers with you long after you scramble to turn down the volume. Like a bright, cheery pop song on the radio that worms its way into your psyche, so too do the unsettling notes wafting from your speakers. Dissonant chords that seep into your very being and hallucinatory auditory effects play important roles in horror, as you’re no doubt already aware. After all, aren’t the things you hear much scarier than the things you’re seeing in the dark?

It’s easier to explain away bizarre visuals, but much harder to explain away what you’ve heard. That’s why music is such a powerful tool when it comes to setting an appropriate mood, in horror and otherwise. Even when you think you’re safe from the chills that run down your spine after being forced to listen to some painfully atmospheric soundtrack cuts, a few key notes arise in the back of your mind to plague you once again. But some are definitely a little worse than others. Here are ten genuinely disturbing cuts from various games, horror and otherwise, that you might want to listen to with the lights on, or chase with some Carly Rae Jepsen.

1. Saya no Uta – “Schizophrenia”

Saya no Uta, a uniquely Lovecraftian visual novel is bizarre in many ways, and grotesque to the point of revulsion. That’s why it’s fantastic. And from the first few grinding notes of “Schizophrenia,” it quickly becomes obvious as to what kind of protagonist you’re dealing with – a young man, permanently mentally disfigured after experimental surgery, now feels a certain disconnect from the human world as all of his surroundings now resemble that of disgusting, tentacled monsters and veiny, meaty environments. Beautiful women now spout foul syllables vaguely resembling the English language through appendages they call their mouths. Language is garbled, sweet smells are now rancid, and all that was once human is now something decidedly more sinister. “Schizophrenia” perfectly embodies the creeping frustration and self-loathing the protagonist must now be experiencing, as he is now a prisoner in his own mind. You can practically feel the gradual descent into madness. It’s a comfortable, familiar madness, and one that grips you tightly without letting go.

2. Pokémon Red and Blue – “Lavender Town”

Pokémon is a whirlwind franchise and appeals to players of all ages, but it’s never been particularly “normal.” Something about the muted greys of the original games, the murky translations, and eerie phenomena within has a way of creeping under your skin, especially once you hit Lavender Town and uncover the secrets inside. The deceptively calm town’s tune ranks highly on most gamers’ lists of terrifying childhood memories, and for good reason: it’s plinking chiptune introduction conjuring a spirit nearing your back, and then a cavalcade of jarring chords crop up, perhaps mirroring the bad juju that seems to have settled over the town like some kind of uneasy fog. And while orchestral arrangements of the familiar tune only seek to amplify the creep factor, the original’s uneasy melody is enough nightmare fuel to power an especially malevolent terror machine. Try not to picture the spirits of all the deceased Pokémon of the past when passing through this town.

3. Super Paper Mario – “River Twygz Bed”

Demonic chanting, distorted words, and uneasy chord changes? Surely we’re not in a Mario game! Actually, we are. Super Paper Mario, to be precise. Of course, it makes sense – the River Twygz (like a certain River Styx you may already have heard of) is found in the Underwhere in game, where the dead congregate. The River Twygz is filled to the brim with tears of the enemies who fell in battle (that’s why it’s purple) and near the bottom of the river bed madness comes to claim those who fall in. Luigi fell victim once before, and Mario as usual has to do all the saving. There’s something about this particular track that feels devilishly out of place, though, and even more foreboding than “Looping Stairs” as heard in Super Mario 64. If ever playing through Super Paper Mario, it might be a good idea to throw on some headphones and blot all of this out.

4. Pokémon Platinum – “Distortion World”

We return to Pokémon for another dosage of mind-altering, pitch-bending goodness, with the theme “Distortion World” (known in Japan as “Torn World”) from a particular dungeon where the player must traverse inky black darkness and shift dimensions in order to face the legendary Giratina – part of the “creation trio” of Sinnoh. This temporal Pokémon with its obviously mythical origins is a challenge in battle, and “Distortion World” does a perfect job of capturing how bewildering and unsettling journeying to the monster’s lair must be, with melodies invoking that of vertigo, confusion, and sickness, as though one is stuck on a malfunctioning carnival ride. If you thought “Lavender Town” was a challenging listen, you know where your volume switch is on the DS.

5. Final Fantasy VII – “Who Are You”

Accompanying a major turning point in-game, “Who Are You” is a light yet menacing fever dream, with alternating melodies – two chances to invoke painful memories, force you to face your inner demons, or run screaming in the other direction. If you’re familiar with the Final Fantasy VII mythos and the imagery associated with this particular moment (specifically, a headless entity I won’t mention here for the five of you who haven’t played the game yet) you should know this particular track quite well. While specific instances of the song are close to melting away into some sort of inviting, warm place, the rest is absolute cold like medical equipment – a stethoscope on your back. Nobuo Uematsu’s steely “Who Are You” doubles as the perfect soundtrack for wandering down a dark alleyway…should you ever choose to do so.

6. Silent Hill 3 – “Prayer”

Nothing about these gravelly, other-worldly voices chanting in an unknown language will comfort you. Who are they? What are they saying? Who are they praying to? Perhaps these are all questions you don’t really want the answers to. A psychotic chant rife with darkness, made to a series of demonic gods? Or are we really the demons here? A final question to leave you with as you ponder this particularly disturbing track: what will the results of this haunting psalm be? Death? Dismemberment? You decide.

7. Silent Hill 4 – “Silent Circus”

This track expertly captures the feeling of wandering around aimlessly in a surrealistic circus setting, and its trip-hop feel what with the backing drum beat and casual air disarm and catch you off guard. As if Silent Hill 4 weren’t trippy enough, “Silent Circus” enhances the feeling of normalcy that can permeate your being while playing through, but steps aside just long enough for you to realize there’s absolutely nothing familiar or safe about your environment. Don’t believe me? Ask Cynthia.

8. EarthBound (Mother 2) – “Giygas”

The various stages of the showdown against Giygas come with their own respective tracks, but the final battle’s theme takes the cake as far as being downright horrifying goes. If you subscribe to the theory regarding Giygas as a fetus (look it up, we’re serious) then the “lullaby” portion and what sounds like a hundred computers crashing to a screeching halt with error messages abound should make plenty more sense. But you can’t grasp the true form of Giygas’ attack, so settle for having a go at the battle theme and having a pleasant sleep.

9. The Legend of Zelda: Majora’s Mask – “Song of Healing”

The Legend of Zelda: Ocarina of Time showcased some of the most memorable snippets of music we’ll remember throughout our lives – especially “Bolero of Fire,” if you’re a fan. The great vibes from Ocarina of Time were turned on their head in Majora’s Mask, starting with the visuals and then the darker themes, but the “Song of Healing” is decidedly more sinister than the previous themes Link may learn for his ocarina. Especially if you listen to it reversed.

10. Super Mario 64 – “Looping Stairs”

Laugh if you must, but Super Mario 64 is its own brand of scary. And as you ascend these particular stairs the Shepard tone-infused “Looping Stairs” theme that follows you on the way up is simultaneously disconcerting and hopeful – if you’re on this particular staircase without enough stars, you’re not going anywhere. The constant rising, never reaching a climax is particularly unsettling, especially when listened to for prolonged periods, not to mention frustrating.

And there you have it – ten disturbing pieces of music in video games. But there’s a wide world of content out there and it’s a certainty you’ve heard something even creepier. Let us know what we missed, and keep an ear out for more. You never know where you’re going to find another viable gem.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

Published

on

The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

Continue Reading