Movies
Horror’s Hallowed Grounds: ‘American Psycho’!
This weekend we posted the brand new edition of Sean Clark’s Horror’s Hallowed Grounds, where Sean heads to check out the filming locations of Mary Harron’s classic American Psycho! If you click here you can check out pictures from the infamous 2000 film, alongside the locations as they stand now in New York! You’ll find links to all of Clark’s previously articles by clicking here. Read on for American Psycho!

American Psycho
DiCaprio passed after pressure about possibly ruining his teen star status after the mega hit Titanic. Re-enter Mary Harron and her choice for the part of Patrick Bateman, Christian Bale.
The film was shot in 1999 for a budget of 7 million dollars. The film is supposed to take place in New York City in 1987 but was for the most part filming in downtown Toronto Canada.
Our first location is Patrick Bateman’s apartment located on the 11th floor of the fictitious American Gardens Building on West 81st Street in Manhattan.

The immaculate cold white apartment with the stainless steal kitchen was a set built in Toronto Canada. The same goes for Paul Allen’s apartment.

The locations in this film are mostly bars and restaurants, so lets start there.
When Patrick fails to score a reservation at the legendary Dorsia, (the fictitious location we actually never see in the film) he takes his doped-up date to Barcadia instead.



Barcadia is actually the Pacific Rim restaurant Monsoon located at 100 Simcoe Street in downtown Toronto. Sadly the day I visited this location there was a notice of eviction posted on the door stating it had closed down just two days before.

Later, Bateman picks up a model at a hip dance club which is actually the Phoenix Concert Theatre located at 410 Sherbourne Street in Toronto. Upstairs at the Phoenix is the balcony lounge where Bateman and friends talk to the models.

Texarkana the Mexican style restaurant where Bateman meets Paul Allen for diner is actually Montana located at 145 John Street in downtown Toronto.





The restaurant in which Patrick dumps his fiancée, played by Reese Witherspoon at the time of filming was called Shark City until it closed down in 2004. Shark City was located at 117 Eglinton Avenue East in Toronto.

Later, Mr. Bateman takes a not-quite-casual lunch with detective Donald Kimball played by Willem Dafoe. Kimball has some further questions about Bateman’s whereabouts on the night of Paul Allen’s disappearance. They dine at the French restaurant the Savoy located at 253 Victoria Street in downtown Toronto. When I visited this location it was closed for remodeling.



Bateman and the boys lounge around drinking expensive cognac having a good ol’ time until Luis Carruthers played by Matt Ross breaks up the fun by presenting them with his brand new near perfect business card. This was filmed at Le Méridien King Edward Hotel’s Consort Bar located at 37 King Street West in downtown Toronto.

There are a few scenes shot in New York besides some of the basic stock coverage you see in the film from time to time. The corner where Bateman picks up the prostitute he calls Christy was shot in New York’s Meat Packing District.

Another important iconic New York shot is one of Bateman crossing the street in front of the Twin Towers in Manhattan.

After Bateman shoots the woman for disagreeing with his trying to feed the ATM machine a kitten he is first running through the streets on New York City near the Rector Street Station located at the corner of Rector Street and Trinity Place in lower Manhattan.

He then runs around the corner and is in downtown Toronto. This is where the police shoot out took place on Pearl Street between Simcoe and Duncan just around the corner from the previously mentioned Monsoon.




Next Batman heads into to what he thinks is his office building. Once he enters he realizes that he has run into an almost identical building next door to his. This upsets him so he shoots the front desk security guard.










The buildings in reality are the Toronto-Dominion Centre located in the heart of the Central Business District of Toronto, at the southwest corner of King and Bay Streets. The area occupies an entire city block, from King to Bay to Wellington to York Streets, as well as a section to the south of King Street between Wellington and Piper Streets (between Bay and York Streets). Another unique thing about this location is that its architect Ludwig Mies Van der Rohe also built the nearly-identical Seagram Building in Manhattan which makes this Toronto location the perfect stand-in for New York City.
These two buildings are by far my favorite locations from the film because they rare exactly as they appear in the film both physically and geographically. Once he shoots the janitor he exits the first building and runs across the courtyard into the correct building.






Bateman heads up the elevator and to his office that we see several times in the film. The office was a set built in a studio in Toronto.

Lastly we end where the film ends, Harry’s Bar. This is where Patrick confesses to his lawyer. In reality this upper crust bar is called Biff’s located at 4 Front Street East in downtown Toronto. Sadly it was closed when I got there but as you can see from the pictures below the front door is right behind Bateman with it’s very recognizable window above it.


Well I hope you enjoyed this look inside the decadent world of Patrick Bateman. I’m off to return some videotapes. – Sean Clark

Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”