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Horror Education of the Week: ‘Prometheus’

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Prometheus.

Some of you liked it. The majority of you hated it.

I adore it.

The prequel/not a prequel to Alien (and now maybe it’s a sequel to Blade Runner) follows Dr. Elizabeth Shaw and Dr. Charlie Holloway, along with a crew, to LV-223. After finding multiple drawings across Earth, all depicting the same god-like figure, they set out on their journey to this distant planet. There they hope to find the answers to mankind.

Perhaps Prometheus can be seen as a warning to our society to not put our trust in man as a god. It can also be seen as a warning to not put all of our faith in an invisible God.


Prometheus blows my mind. There are so many complex themes and imagery in it that makes me want to watch it on repeat. I cannot do it justice. There is simply no possible way. I state this with every article where I present ideas to you, but this time I truly mean it. To give every ounce I believe this film deserves would take weeks if not months.

I think Prometheus affects me strongly because I grew up Catholic. I learned the Bible in a manner where I was told that I was special – because I was one of the few that believed in THE ONE TRUE GOD. In the last few years, any ounce of belief has left me. I still hope that there is some purpose to life or a higher being that put all of this into existence, but I simply can no longer put my faith into something I cannot see.

While I cannot give Prometheus the analysis it deserves, I can present the greatest, most obvious theme throughout this incredible film. The concept of God.

From the beginning, Prometheus is saturated with religion.

– The opening of Prometheus opens with a god-like engineer sacrificing himself. As his body deteriorates, it is washed away and DNA broken down. DNA we later discover is identical to human DNA.

– He has sacrificed himself, like Jesus, so that we shall live.

– The name Elizabeth is the Greek transliteration of the Hebrew name Elisheva, meaning “God’s promise”, “oath of God”, or “I am God’s daughter”.

– Elizabeth is always wearing her father’s cross, showing she has faith in God.

– The name Charles is from the Germanic word karl meaning “free man”.

– Charlie’s faith is in science, much like Charles Darwin.

– When Prometheus lands, the captain is seen setting up a Christmas tree. The celebration of the birth of the Son of God.

– There is constant dialogue throughout the movie on what the characters believe, and what they have faith in.

– Elizabeth’s mission is to find the creators. Her thoughts are that the engineers created us, and she wants to know who created them.

– In the pyramid, the crew find the chamber full of the vases of death. This scene is very reminiscent of the egg chamber in Aliens, as mentioned a few weeks ago.

– Behind the giant head in the chamber, is a mural. The mural shows a familiar alien being in a very crucified Christ pose. Yes, it’s our Space Jesus.

– When Charlie and Elizabeth argue about the discovery of the fallen engineers, Charlie states that the realization is that nothing is special. Anyone can create life.

– We then learn that Elizabeth is sterile and cannot conceive. This idea is very important.

– In the Gospel of Luke, Mary, the mother of Jesus, asks how she is to conceive and bear a son, since she is a virgin. She is told it will happen by the power of God.

– After Charlie is infected and is killed, Elizabeth is told by David that she is pregnant. A virgin birth of sorts by the power of the engineer gods.

– Wrapped much like Christ on the cross, Elizabeth preforms surgery to remove the alien embryo from her.

“Sometimes to create, one must destroy.”

– This quote can be seen everywhere in the Bible, perhaps the most prominent in the Old Testament with the story Noah and his ark. God sends constant rain upon the earth to flood and destroy it so that select humans can start over.

– In the Bible, King David is chosen by God.

– David in the film is stated by Peter Weyland to be his only son. Much like Jesus to God.

– A parallel of the Bible story of David and Goliath can be seen in Prometheus.

– Goliath was a giant and a warrior. David struck Goliath in the forehead with a stone from his sling. Goliath fell dead, and David took Goliath’s sword and beheaded him.

– The Bible story’s point was to show that Goliath represented paganism, and David represented a true faith in God.

– The engineer can be seen as the Goliath figure in Prometheus, however, with the stones of words that David throws, he is far from victorious and ends up being the one beheaded.

– In the Bible, Jesus asks his disciples, “Who do you say that I am?” Simon answers, “You are the Christ, the Son of the living God.”

– Jesus says that Simon is “blessed” to see his true identity. Jesus then calls Simon by the name “Peter” – from the word ‘rock’ in Greek.

– “On this rock I will build my church, and the gates of Hell will not prevail against it.” (Matthew 16:13-20)

– The idea that Peter Weyland hopes to learn the secret to eternal life on LV-223 – a giant rock – can be interpreted in a much deeper sense from the above quote.

– The first scene we see the awakened Peter Weyland, he is having his feet washed.

– At the beginning of the Last Supper, Jesus washed his disciples’ feet. Peter refused to let Jesus wash his feet to which Jesus said: “If I wash thee not, thou hast no part with me”, Peter replied: “Lord, not my feet only, but also my hands and my head”. (John 13:2-11)

– The idea that Weyland’s feet are being washed just before his “last supper” so to speak, is quite significant.

– Weyland’s last words are: “There’s nothing.”

– David answers, “I know. Have a good journey, Mr. Weyland.”

– In the deleted scenes and extras in the dvd set of Prometheus, we see additional amounts of religious imagery.

– At the 2023 TED Conference, Peter Weyland gives a grand speech culminating in “We are the gods now.”

– In an extended conversation with the engineer at the end of the film, Weyland tells him that he made David in his own image. For that, he deserves to live forever as he, too, is a god.

– In a transmission to Weyland, Elizabeth pleas for his assistance, stating “Do you ever feel all the science in the world will never give us the answers we really want?”

– In the end, Elizabeth puts her father’s cross back on as David asks her, “After all this, you still believe, don’t you?”

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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