Editorials
5 Horror Movies With Amazing Endings!!!
A few months back I wrote a piece that highlighted 5 horror films and the horrible endings that the filmmakers chose for them. But now it’s October and I’m in the mood for love, especially when it comes to my favorite genre, so it’s time to turn the tables and talk about the films that really hit it out of the park with their endings.
When it comes to endings, sometimes you’ve got to take the advice of Jesus (as played by Jerry Cantrell in Jerry Maguire) and hang your balls out there to be great. So while all of these endings are awesome, most of them aren’t exactly happy. It’s not that I’m against happy endings, but often they clash so harshly with the film’s overall tone and theme that you just know they’re tacked on compromises.
Head inside to check it out. And let me know YOUR favorite horror endings in the comments!
AN AMERICAN WEREWOLF IN LONDON

You’ll notice that I talk about this film a lot. It’s one of my all time favorite movies (out of any genre) and I never run out of love for it and its adventurousness. Not only did it break all of the rules at the time, it turned out brilliantly. Entertaining, gory, funny, scary, erotic and tragic. The film ends with Jenny Agutter professing her love to David Naughton, whom is currently in werewolf form. You get a slight glimpse of recognition in the beast’s eyes before he lunges at her and is gunned down by the London police. Dead, his corpse reverts back to his human form. Then the film slams into Bobby Vinton’s “Blue Moon” for the end credits. It’s one of the most satisfyingly jarring tonal shifts in horror’s history, one that immediately cements itself in your brain.
THE THING

By the time The Thing is winding down we’ve been through so much that we’re almost as exhausted as Keith David’s Childs and Kurt Russell’s MacReady when they settle into the impending storm. Ennio Morricone’s relentless score and the film’s preceding events have planted the inevitable so firmly in our heads that there’s not even a kernel of hope left. Childs asks MacReady, “what do we do now?” And MacReady replies, “Why don’t we just wait here for a little while… see what happens.” But they both know they’re done. And so do we. Regardless of whether or not one of them is infected.
SLEEPAWAY CAMP

Let it be known that Sleepaway Camp predates The Crying Game by nine years or so. If it had been released in 1992 instead of 1983, it too might have been nominated for 6 Academy Awards.
THE MIST

You knew this was going to be on here. It deserves it. You can’t have your main protagonist kill his own son mere seconds before salvation arrives and escape placement on lists like these. Some of the film’s less than stellar CGI work (which blends much better in the Black & White version) is the result of director Frank Darabont’s refusal to compromise on this front. He had the chance to make the film at around twice the budget on the condition that he changed the ending. He refused and thus remains a hero to this day.
HALLOWEEN

Another Carpenter. Predictable, I know. But when Dr. Loomis looks down at the lawn below to see that Michael Myers has disappeared, it cements Myers as unstoppable evil incarnate in a simple, elegant and terrifying manner. Even more impressive? It tees up the sequel in a way that’s organic. It doesn’t feel like a cheat, it’s just a chillingly effective promise of “more”. Too bad no subsequent film (or remake) in the franchise came close to matching moments like these.
What are some of your favorite endings?
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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