Movies
[AFM ’12] ‘Outpost 37,’ ‘Kill Your Friends,’ ‘Entity’ and ‘I Spit On Your Grave Too’
Altitude Film Entertainment has set Prometheus star Rafe Spall for the lead in Britpop satire Kill Your Friends and added sci-fi Outpost 37 to its growing slate, reports Variety leading up to AFM. Spall takes the lead in Owen Harris’ film “About an A&R man who, desperately searching for the next big hit, takes the concept of killer tunes to a murderous new level.”
Outpost 37 is the feature helming debut of L.A.-based VFX supervisor Jabbar Raisani. Raisani, whose VFX work includes several projects with Robert Rodriguez’s Troublemaker Studios including Predators and Machete, co-wrote the sci-fi thriller with Blake Clifton. “The film follows a docu crew accompanying an elite unit of marines tasked with protecting mankind in the aftermath of an alien invasion.”
CinTel Films has released the “official” synopsis for I Spit on Your Grave Too, which we exclusively broke the news that Steven R. Monroe will direct from a screenplay by Thomas Fenton. “Naturally beautiful, Jessica has just settled into New York where she, like many other young women, is trying to make it as a model. But what starts out as an innocent and simple photo shoot soon turns into something disturbingly unthinkable! Raped, tortured and kidnapped to a foreign country, Jessica is buried alive and left to die. Against all odds, she manages to escape. Severely injured, she will have to tap into the darkest places of the human psyche to not only survive, but to exact her revenge…”
Lastly, inside we’ve added the official market trailer for Entity, which stars Dervla Kirwan, Charlotte Riley, Branko Tomovic, Rupert Hill, Oliver Jackson and Michael David Worden.
Written and directed by Steve Stone, “In 1998, thirty four unidentified bodies were found in shallow graves in a remote Siberian forest. After subsequent investigations, no official explanation by the Russian authorities was ever offered about the circumstances of the deaths. The case was closed. In 2010, a small English TV crew from the show ‘Darkest Secrets’ set out for the Siberian forest. ‘Darkest Secrets’ focuses on revisiting the sites of unsolved crimes and they employ the gifts of a psychic whose extraordinary powers may help shed new light on cold cases. The last communication to their production office in London stated that they were approaching the Siberian region where the bodies were found. Nothing was heard from them again. ‘Entity’ is the story of what happened to them. The forest was only the beginning….”
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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