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[Special Feature] Psychology and Horror: A Means To An End. Dissecting ‘The Human Centipede 2’

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Written By: Joseph Forsberg

We are a product of our environment; psychological defects can be the result of how we grew up and the trauma we experience at a young age.

Borderline Personality Disorder: A condition in which people have long-term patterns of unstable emotions or pure rage, caused by sexual abuse or lack of communications in the household. Their behavior may reflect negative feelings of themselves or others.

Tom Six’s The Human Centipede Part 2: Full Sequence is by far one of the most disturbing movies I have ever seen; yes it has a lot of violence and gore, but the worst part to me is the fact that every single part of Martin’s personality can be diagnosed. His goal throughout this movie is to create a centipede out of 12 random people; to him this would be a beautiful master piece, almost a form of art. Martin, the villain in the film, is not always displaying random behavior; for the most part, he has a reason for every action taken and his personality is influenced by everything that he has had to endure throughout his entire life. This man is not insane; Martin is simply an example of how our environment can create pure evil. When fantasies are no longer an escape from reality, one must create a reality that reflects fantasy.

Human Centipede 2 introduces us to the mind of the mentally disturbed who has reached the point of a complete breakdown. Martin is a middle aged man who lives with his mother and has a low level job at a parking garage. Although his physical characteristics portray him as an older male, his IQ and lack of vocabulary puts his maturity level around that of an adolescent. The movie and his personality have made it very clear that he has been sexually and verbally abused by his father; victims of sexual abuse have been known to become abusers themselves, especially when the child does not receive proper medical attention. Social bond theory states that outside sources such as teachers, parents, or counselors can prevent violent behavior by reaching out to the victim in need. Unfortunately for Martin, he never had a chance to live a normal life; his father was sent to prison, his mother was verbally abusive and blamed him for everything that went wrong in their lives. With this type of environment, a child has no choice but to separate him-self from the rest of society and create his own little world through fantasies. These fantasies are a friendly form of escape but can easily turn violent as he continues to suppress his traumatizing experiences. After a while, the memories will be drawn out from the unconscious and once again become a reality. Martin’s first sexual experience was being molested by his father so he probably began envisioning himself doing the same to others while in the comfort of his own fantasy. At the age in which this experience first happened, I believe Martin was suffering from Borderline Personality Disorder. His moods and relationships have been unstable and inconsistent, and he clearly has a poor self-image. There is a good chance Martin would have killed himself had he not found an external object to represent his rage and the pain he wanted to inflict on to others; in this case, he found the centipede. Centipedes are known as violent creatures and in Martin’s warped mind it could have been a phallic symbol. People who suffer from this disorder like their privacy but lack the skills to be independent; they have to rely on others whether they like it or not. Notice that Martin relied on his abusive mother for breakfast, dinner, and a place to live.

Borderline Personality Disorder does not lead to the type of behavior Martin displayed throughout the movie; it is more of a starting point that can escalate as his life becomes more depressing and wasteful. First impressions are everything; it is quite possible that Martin associates pain with sexual pleasure as a result of being molested and most likely sodomized. These disorders of sexual arousal are called paraphilias; this means that sexual arousal occurs almost exclusively with the use of inappropriate objects or in the presence of an inappropriate individual. Martin experienced a real life fantasy when he first watched Human Centipede; the pain that was inflicted on the characters as he watched is what truly turned him on. However, watching was not enough, and Martin needed to experience that pain. He wanted to be a part of the movie and tried to duplicate the same level of pain by masturbating with sandpaper; only this was not pain, this was pleasure. People who suffer from sexual disorders tend to compulsively masturbate; because of the objects used, it is likely that Martin’s genitals are mutilated and the ejaculation process was quite painful. His urine is shown as a dark red color so it is possible that his semen is discolored as well. The human centipede became a fetish; Martin used this as hardcore porn, made a scrapbook, and even hid pictures under his mattress. This fetish was too much for Martin to handle; in his mind, creating his own human centipede would be the ultimate high and give him the sexual arousal that fantasies no longer could. At this point, Martin’s sexual disorder has escalated to sexual masochism; this is when someone loves to inflict pain on himself as a way to become aroused or reach a certain high.

Martin is a very unique character; he would not be categorized as a killer because the pain inflicted on his victims was incidental and necessary to fulfill his fantasy. The violence was a means to an end; he wanted his victims alive in order to successfully create his centipede. Although he killed his mother, he did that out of rage and to defend his obsession with The Human Centipede. Some might consider him to be a sexual sadist, but I do not believe this is the case. He showed no signs of being sexually aroused when becoming violent with his victims; the excitement he did show was when he finally started seeing his fantasy come to life as he began stapling someone’s ass to another person’s mouth. There was a scene where one of the victims died; because of unstable emotions and irrational behavior, Martin started to cry; it was if he started to come back into reality and notice his dream might not come true. This also further indicates that he had no intention of killing his victims. His emotions were fueled by frustration; he knew he could not duplicate what had happened in the first film. His techniques were sloppy and did not realize that the amount of pain he inflicted on his victims would eventually kill them; he simply thought he could create the centipede in his own way. Remember that his IQ is very low; he went into this procedure thinking that he could become the doctor that he idolized so much. Martin is the definition of a disorganized asocial offender. He is socially inadequate, unskilled worker, shows poor personal hygiene, and has a very unstable mood. His disturbing and chaotic crime scene shows that he simply does not care about anything else except fulfilling his fantasies.

We have no way of knowing what people are thinking; what we do know is that something could set them off at any time. There is really no way to determine if or when they will break. At some point maybe they will blame the world for their trauma and unfulfilled life; they might take it out on themselves or find pleasure in torturing other people. Martin had a specific agenda because of his film fetish; as I said before, he is very unique and is a great example of how sometimes people can’t distinguish fantasy from reality. As for the rest of these personality types; some are simply here to watch the world burn.

Could Martin be considered a victim? One could argue PTSD, but it is highly unlikely that it could be justified. It is quite clear that Martin is mentally unstable and is need of help from a mental health professional.

Stop your crying, your tears only make daddy’s willy harder

About the Author: I am currently going to school for Forensic Psychology; I am finishing up my Bachelor’s Degree and plan on continuing my education until I receive my Doctorate. Although I am still in school, I spend hours a week studying human behavior and psychological profiling; my main focus is on sexual homicide but study all types of murder. I do not currently work in law enforcement or around people suffering from personality disorders; this psychological profile on ‘The Collector’ is based on years of research, school, and books written by retired FBI Profilers. – Joseph Forsberg bloodnguts666.wordpress.com

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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