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Baroness’ John Baizley: “Simply Put: It’s Time To Get Back To It”

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Prog sludge metal band Baroness singer/guitarist John Baizley has issued an update regarding the band’s current situation as well as his own personal recovery since the bus accident that left him with a broken arm and a broken leg earlier this year.

In the update, Baizley also posted a video of himself and guitarist Pete Adams performing their song “Stretchmarker” acoustically. The song comes from their latest album Yellow & Green (review). This is the first performance footage from the band since the bus accident. It’s a beautiful rendition and well worth checking out.

You can read the full statement and watch the video below.

John Baizely:

Simply put: it’s time to get back to it. Since my belated and thankful return to the USA (after our painful test in motorcoach-aeronautics) i can definitively say i’ve exhausted my reserve of potential leisure activities (there’s not that many of them, after all). in recent weeks, i’ve come dreadfully close to boredom, and in those moments i can’t help but focus on my glaring physical infirmities. television offers little respite from this relative stasis; i’m sure by now i have sampled every biker-meth-dealer-zombie-low-talking-cop-crime-scene-serial-killer-real-housewife soap opera that is currently being broadcast (and there’s no small number of them). i’ve tried to fill my weekly routine with as much physical therapy as possible but the truth is, PT is not fun, and its benefits come with a great deal of mental/physical/spiritual pain and struggle. furthermore, i believe am getting a touch of Stockholm syndrome when it comes to my doctors and therapists (the highlight of my week should NOT involve a clinic). music might be the best therapy i have right now. perhaps it’s both the cause and the cure (the thought has crossed my mind); but i feel lost without it. Pete and i have just spent a long week surveying our musical wreckage and, surprisingly, we are quite well and intact. sure, there’s some substantial obstacles to overcome before we write, record or perform any time soon; but we still have everything we need to get “back in” that particular “saddle again”. Most of my peers are familiar with such high-school-gym-teacher poeticisms as “risk equals reward” and “no pain, no gain”; but did any of us every really believe there was any real wisdom in those adolescent platitudes? i didn’t. i am, however, starting to understand the essence of these and many of our other favorite cliches.

as odd as it might be for me to write these “updates” after 10 years of personal silence on the internet, i feel that i owe everyone who’s voiced or given their support to Baroness a brief synopsis of our situation and more importantly a heartfelt thanks. honestly, it has made this ordeal much easier on me. what little publicity that surrounds our crash has given voice to so many people who have shared their own stories of injury, trauma and struggle with us, and has furthered my own faith in the communicative and universal strength of music. as every singer on every stage has nightly said, “we wouldn’t be where we are without you.” thanks everyone. we look forward to seeing you soon. here’s a short clip of a song we wrote.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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