Music
Baroness Bassist And Drummer Quit The Band
Guitarist/vocalist John Baizley of progressive metal band Baroness has released a statement in which he announces that drummer Allen Bickle and bassist Matt Maggioni have left the group. No replacements have been announced.
This news comes less than a year after the band was involved in a serious bus accident that seriously injured nine people, including crew and members of the band. The group was touring in the UK in support of their newly released album Yellow & Green (review).
Below is the full statement.
Nothing can truly prepare you for a brush with death. The event is unique one, singular to the observer. Trust me, you don’t want to invite the experience. Our bus accident left indelible marks, external and internal, physical and mental, you name it. Each of the nine of us went through and continues to go through an entirely different, yet common experience. We are tied to each other by a trauma, which, despite its damage, has been made individually easier through our shared ordeal. While I would never wish the incident on anyone, I cannot imagine going through that wreck alone.
Thankfully, injury was not dealt out evenly; unfortunately it was dealt in great supply. Each of the nine of us now finds our self in a drastically different circumstance, and we each move forward accordingly. There are two important things to note. First, we are all healthy. We are recovering at different rates, and we’ll all be fine in the end. Second, Baroness has made a commitment to pick up where we left off, and get back out on tour, where we belong. In fact, I am personally staking my recovery on this principle; it gives me direction and something to look forward to (finally).
However, for some of us, the accident necessitated a change that would prevent them from performing music or touring. It is with sadness that we must announce that Matt Maggioni and Allen Blickle will not continue touring with Baroness. The details of their departure are not sensational; they do not come with hard feelings. Nor are the details going to be public; suffice it to say we’d like to keep to ourselves the finer points of this situation, to respect the privacy of all involved. While the nine of us must respect the significance of the bus accident in Bath, we must also move away from it and get back to our lives. Simply put, some of the effects and injuries were severe enough to prohibit further activity in Baroness. While we would never have asked them to leave; we have the utmost sympathy for this situation, and in earnest, we wish Matt and Allen the best in the future. In their stead, we have found two musicians who can approach our music with passion and vitality and help get us back out on tour to finish what was seemingly cut short last August.
‘til the wheels fall off,
John Baizley & Baroness”
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It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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