Movies
[BD Review] Brad Finds ‘Lords Of Salem’ To Be A Chore, Mike Loves The Style
Rob Zombie’s The Lords of Salem is finally out (in limited theaters in New York, Los Angeles, Boston, San Francisco, Chicago, Philadelphia, DC, Miami, Dallas, Houston, Detroit) and it’s sort of a polarizing movie. Some people love it, others hate it. I kinda liked it for the strong visuals, but felt that the story was pretty spotty. But Brad and Mike have actual reviews posted – so read those!
Per Brad, “It would be easy to give Lords a pass. It has genuinely creepy imagery, cool scares, super crazy sound design, and even more mind blowing set designs. But there will be no pass, mainly because of the awkwardly unfulfilling ending and the fact that much of the “cool” doesn’t interact with the characters or plot.”
Per Mike, “For 100 minutes, I was taken away to another place and the usual insistence in basic storytelling and character eluded me. In this case, the style is the substance.”
Who will YOU agree with? Here’s Brad’s review out of TIFF, as well as Mike’s more positive take. As always, write in with YOUR review here!
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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