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[Special Report] Getting Answers And Escaping Ghosts On The Set Of ‘Insidious Chapter 2’!!

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A few months back myself and some fellow journalists headed out to the Linda Vista Hospital to visit the set of Insidious Chapter 2, and we got quite the update from the film’s cast and crew. It’s also worth noting that I’ve visited Linda Vista on several occasions and this is the first time I actually heard something about the place that truly frightened me.

In theaters September 13, “The famed horror team of director James Wan and writer Leigh Whannell reunite with the original cast of Patrick Wilson, Rose Byrne, Lin Shaye, Barbara Hershey and Ty Simpkins in INSIDIOUS: CHAPTER 2, a terrifying sequel to the acclaimed horror film, which follows the haunted Lambert family as they seek to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world.

We actually nabbed a fair amount of the principles of this one with Wilson, Byrne, Shaye, Hershey, Whannell, Wan and producer Jason Blum on hand to guide us through the process.

Check our PART ONE of my Insidious Chapter 2 Set Visit Below!!!

I’ve been to Linda Vista, the abandoned, supposedly haunted hospital near downtown LA countless times. But never before has the actual concept of “haunting” hung so heavily over the place for me. The idea that there are things here, spirits, that are lost and looking for some kind of way out – this is a possibility that’s always been in the back of my mind, never fully taking center stage.

Whenever I’m here, which is often at night, I’m more concerned about transients. The people who sneak in here to sleep, the people security might have missed in their sweep. I’m worried about the folks who come here to sacrifice chickens (this actually happens) and get high. There’s a pond across the street where bodies are dumped in the night. As jittery as this stuff gets me, it’s never enough to keep me from roaming the halls every now and then, and I’m beginning to suspect I just enjoy frightening myself a little bit.

And then, with one short story from screenwriter/actor Leigh Whannell, my entire perspective changes.

He’s talking about doing research for the first Insidious, and the anecdote sticks with me all night. “I’ve been here twice, after midnight with ghost hunters. We found these guys on the internet. We went to dinner with them and then they brought us here to Linda Vista, which I didn’t know existed. The one security guard lets us in. We walk into this ostensibly abandoned hospital where all the equipment and files have been left as they were on the day it closed down. [Later on] I came here with my wife and we sat in the surgical room, which is supposedly the most haunted room according to these guys. So we sit in the dark for an hour going, ‘is anyone there?’ And lo and behold, no one says ‘yes.’ We leave and my wife said, ‘that was such a bummer, I wanted to see a ghost.’ She said she was sitting there so excited to see a ghost and kept said ‘if there’s a ghost in here show yourself. Possess me, do whatever you have to do.’

He continues, “A few months later her friend buys her a voucher to go see this psychic. And he basically asked her, ‘have you been to this place recently?’ And she said, ‘we kind of went on this ghost hunt.’ And the guy was like, ‘you can never go there again. You came this close to taking something home with you.’ He asked her if she had seen any blue lights, and she said that she had remembered looking up and seeing these little blue pin lights – she thought it was when you can’t see anything and see all these shapes and colors [instead]. And he said, ‘that was your aunt and your stepbrother holding them back [the spirits].’

Now, like I mentioned earlier, I’m not normally one for ghosts. And I’m even less inclined to believe a psychic. But, assuming Whannell is relaying the information accurately, there’s something about this particular story that haunts me all night. Whenever I’m here I’m also usually wishing to see a ghost, but that ends almost immediately. Even when I get home later that evening, I wonder if, in my past at the hospital, I had perhaps been too inviting of the supernatural.

But that’s not the only thing I’m not used to experiencing at Linda Vista. For the first time ever, I’m seeing actual sets being built here inside the building. Not just re-dressing the place to look like an active medical center (which is happening as well), but entire constructions of domestic settings.

Director James Wan comments on the usage of the place. “I’ve never shot in Linda Vista either. It’s kind of funny because Leigh and I have always heard so much about it. For research on the first one [Leigh] came here to do a bit of ghost-hunting. And I think a lot of that inspired us when we needed a hospital set, ‘let’s go to Linda Vista and use it for what it is instead of trying to turn Linda Vista into something else.’ But since we’re here we’ve been shooting other stuff in here as well and yes, one of the things we’re building here is one of the set pieces from the first movie.

And indeed, there it is – a perfect recreation of the living room from the second house the Lambert family moves into at the end of the first film. The room where Patrick Wilson isn’t quite himself and Elise [Lin Shaye] bites the dust. Not only is the room back, but Shaye is back as well. The actress still has an integral part in the sequel, “I’m curious about what happened to Elise in the further. I do have a thought about what might have happened but I haven’t talked to James about it yet. But it’s very freeing. There are no rules to be set up, so it’s up to us to define them.

In fact, one of the only rules they have to follow at the moment is continuity. Patrick Wilson, Barbara Hershey and Rose Byrne are also all here – most of them wearing the same clothes we last saw them in during the final moments of Wan’s 2010 surprise hit. I actually don’t notice any of this until Whannell comments on the ensemble, “It’s surreal to see everyone. This is a sequel that brings back everyone from the first film. So it just feels surreal. And they’re also wearing the same clothes they wore in the 1st film. So they’re stuck in ‘The Further.’

As my fellow journalists and I walk down the hallway, we notice there’s a section of the hospital that looks remarkably clean, just past a doorway that has been re-molded and cheated to look like an elevator. Apparently this is where the character of House Of The Devil’s Jocelin Donahue, (who plays a younger version of Hershey’s Lorraine Lambert) works in the film. Unfortunately Donahue isn’t here today, but we’re led to an equally impressive sight next. All the files that have been littering the halls of Linda Vista for decades? The Insidious Chapter 2 production has wrangled them up and actually filed them. We enter a claustrophobic makeshift records room stacked to the roof with authentic paperwork.

While it’s impossible to guess the actual horror that lives in these files, it doesn’t take much imagination to envision what it would be like to sort through this sh*t at night. We’re tucked into a room with a few monitors as we watch a scene being filmed with Steve Coulter (who plays a new character, Carl) and Hershey in the film’s present day timeline. Together they make their way through a dark, abandoned space lit only by flashlight. Coulter ventures a question, “Why was he here?” Hershey sighs, “he attempted to castrate himself.

Even having seen the original film, I’m not sure exactly what they’re talking about. And, according to Shaye, that’s the point. “It’s a bit of a murder mystery as well. Which is a wonderful addition to the story. In addition to being supernatural it’s trying to solve this crime.

After we see finish our tour of the hospital, we sit down for an extended chat with the cast and crew. The main question on everyone’s mind seems to be how this film will balance ‘The Further’ (the nether world introduced in the second half of Insidious) with the realistic tone so many people appreciated in the original’s first half. According to Whannell, it’s a balancing act they’re well aware of and they’re sticking to their guns. “James and I noticed that the first film was kind of polarizing. [People say], ‘the film was great up until [they get to The Further].’ But that’s what we always wanted to do. We wanted to throw in everything but the kitchen sink and have these crazy moments. We couldn’t have made the first half of that film the whole movie, we liked the fact that it descended into chaos. What’s interesting about the sequel is that now everyone knows that about the first movie.

So how much of the film is set in that dimension? “It’s hard to say without ruining it. But I would say it spends a little more time. At the end [of the first one] we just follow Patrick’s character in there. I’d say this film starts from a point where we have more knowledge of this place. I feel like everyone’s living in this world and trying to take it seriously. So hopefully this second film, even though it includes these ideas like The Further, we’re trying to keep it firmly based in reality.

How are they launching into it? What’s the timeframe? Obviously the fact that everyone’s wearing the same clothes is a pretty huge hint. Whannell takes the lead again, “It’s a continuation of the first film. It’s not like a lot of sequels that pick up a few years later. This film pretty much picks up from where the other one left off. It’s pretty much the second half of the first film, which I think makes it different.

Wan later adds that this is the impetus for the film’s non-traditional title, “We wanted to call ‘Chapter 2’ because of that. We love the idea that it’s kind of like a book. And there are parts of this second movie that visit the first movie.” He also stresses that despite a rather apparent increase in budget, “It’s definitely made with the first indie spirit as the first film.” Producer Jason Blum is quick to add that the cost isn’t that much higher, asserting his firm belief that the more expensive films get, the less artistic control the filmmakers are able to exercise over them.

But does the increased budget mean that we’ll get some more of that high/low-tech gadgetry Specs and Tucker [Angus Sampson] were so fond of in the original? Whannell responds democratically “I mean yeah we see a little bit of that. A little of that stuff goes a long way. What’s interesting about the film is that it’s a way to examine the first one, you look at what really worked and what didn’t work.” Wilson adds, “You already had the moment with this crazy gas mask. You can’t do that again. You’ve already done the crazy seance. And because we’re continuing on, it’s not a new family that’s discovering all of this stuff, this is the same story. So we have to look at what we did earlier and what happened this week, or however many days it’s been.

Be sure to check back with us on June 11th for PART TWO of our Set Visit! It details a night of shooting in “The Further” with Patrick Wilson and lucky contest winner Michael Grise!

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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