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Review: ‘Ten Grand’ #2

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J. Michael Straczynski and Ben Templesmith produce a series that’s a surprisingly natural amalgamation of the horror, occult, supernatural, and noir genres. Delivering another successful issue of “Ten Grand” for Joe’s Comics, critic speculations about the probability of a superior follow-up prove to be unwarranted.

WRITTEN BY: J. Michael Straczynski
ART BY: Ben Templesmith
PUBLISHER: Joe’s Comics, imprint of Image Comics
PRICE: $2.99
RELEASE: June 5, 2013

Titled “Angels Never Lie”, the second installment begins with a conveniently thorough rundown of last month’s series opener, featuring Templesmith’s accompanying panels from the previous issue. Just to shed some light on what’s already been established; Joe Fitzgerald is an ex-mob enforcer whose last assignment culminates in the death of his love, Laura. Desperate to see her again, he agrees to serve an obscure higher power that guarantees his resurrection upon righteous death. The catch? In those five minutes between death and resurrection, he’s able to reunite with the love of his life once again.

Now, Joe is a supernatural Private Investigator, taking on special cases ignored by the police force, for the price of ten grand. In this issue, he continues his investigation into the disappearance of Sarah Thomas, who’d lost contact with her sister Debbie after joining a cult named Divine Will. It’s a job which holds great significance for Joe as it involves the man responsible for Laura’s death; a man Joe killed two years prior.

Unlike issue #1, Straczynski moves the narrative along at a much slower pace, but still provides an exceptional amount of suspense and mystery through Joe’s stirring, and enlightening, inner monologues, and through the introduction of intriguing new characters. One of the more interesting additions to the book is a seer named Johnny, and an ally of Joe’s. He’s a man capable of seeing into the spirit world but blinded to everything else. Straczynski gifts readers with a short, yet compelling, look into his origins, and he’s definitely a character worth exploring in future installments.

Joe’s journey through this issue takes him to a demonic club where a grotesquely illustrated fleshist demon, courtesy of Templesmith, makes our protagonist second-guess his work with the angels. By the end of the issue, readers are left wondering whether Joe is working for the angels or for a more sinister bunch, given the interaction between two key characters in the last two pages.

Whether he’s dealing with celestial paragons and archangels, or demon lords and archdevils, that’s something Straczynski isn’t sharing yet. All that’s known is that there’s definitely a bigger story gearing up to be told, and Straczynski is doing a fantastic job setting it up.

Templesmith ups the ante the second time around with his visually emotive storytelling. Using a large colour palette that favours an almost frigid mixture of blues, purples, with hints of green – contrasting with his fiery explosions of reds and yellows – he’s able to draw out an array of emotions through images both grotesque and beautiful. His dusky style of art is made for a story as dark and gritty as Straczynski’s, and to imagine anyone else taking his place would almost be sacrilege.

“Ten Grand” #2 is a pleasure to read, and if there’s one book that needs to be on your pull list this year, it’s this one.

4.5/5 Skulls

Reviewed by – ShadowJayd

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‘Curse of the Where Wolf’ Bites Into August Release With Trio of Werewolf Theatrical Screenings [Exclusive Preview]

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Curse of the Where Wolf

Larry Chaney‘s hairy misadventures are continuing in the sequel graphic novel Curse of the Where Wolf from creative team Rob SaucedoDebora Lancianese, and Jack Morelli, and its author is celebrating with a trio of horror’s greatest werewolf films. 

The Curse of the Where Wolf hits shelves on August 7 from Encyclopocalypse Publications.

That coincides with the launch of a theatrical screening event in Houston, Texas, featuring a trio of seminal werewolf flicks turning 45 this year: The Howling on August 7, Wolfen on August 14, and An American Werewolf in London on August 21.

Each screening features a “werewolf in film” presentation as well as a book signing from Where Wolf author and River Oaks Theatre artistic director Rob Saucedo.

In the new graphic novel, “Being a werewolf sucks. Reporter Larry Chaney wanted to be a hero. Instead, he became a werewolf. Now, caught between incredible new powers and a desire to eat everything (and everyone) in sight, Larry must find a cure for his curse. Or die trying.”

“With Where Wolf, I wanted to tell a whodunit set in a furry convention, so the story was pretty contained within a very specific setting and genre. With Curse of the Where Wolf, I wanted to celebrate everything I love about the possibility of comic books. Curse of the Where Wolf is a funny book, in every sense of the phrase, but it’s also an earnest look at a person’s struggle to become a better version of themselves, especially when the alternative is to become a literal monster,” Saucedo says of Curse.

The original graphic novel was previously serialized as the first webcomic hosted on Fangoria before being collected by Encyclopocalypse Publications in 2023 and has already been optioned for film, podcast, and television development ahead of launch by producers James Fino (“The Freak Brothers” for Tubi, “Rick and Morty” for Adult Swim) and Charles Horak (First Date for Magnolia Pictures).

Expect Larry to find himself in even weirder situations in the 362-page full color sequel; Saucedo has provided Bloody Disgusting with exclusive art pages from the upcoming graphic novel that showcase lupine humor.

 

 

 

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