Music
The Black Dahlia Murder Unleash “Goat Of Departure” Music Video
Detroit metal band The Black Dahlia Murder have released an official music video for “Goat Of Departure”, which comes from their brand new album Everblack (out now via Metal Blade Records). The video, directed by Ben Mayer, was filmed in Detroit and features a live goat and the return of a classic TBDM character.
Trevor Strnad adds: “It’s our pleasure to release our latest exercise in music video stupidity to you all at long last… We’d like to thank Guiness the Goat for penciling us in and all of the rabid TBDM fans for getting wild with us. Press the play button and embrace the glory of the goat!”
Make sure to pick up your copy of Everblack here. Head on below to watch the video.
THE BLACK DAHLIA MURDER
w/ Vans Warped Tour
06/26 Las Cruces, NM NMSU Practice Field
06/27 Mesa, AZ Quail Run Park
06/28 Las Vegas, NV Silverton Casino Parking Lot
06/29 Salt Lake City, UT Utah State Fairpark
06/30 Denver, CO Sports Authority Field at Mile High
07/03 Noblesville, IN Klipsch Music Center
07/05 Toronto, ON The Flats At Molson Canadian Amphitheatre
07/06 Darien Center, NY Darien Lake Performing Arts Center
07/07 Holmdel, NJ PNC Bank Arts Center
07/09 Virginia Beach, VA Farm Bureau Live At Virginia Beach
07/10 Columbia, MD Merriweather Post Pavilion
07/11 Mansfield, MA Comcast Center
07/12 Camden, NJ Susquehanna Bank Center
07/13 Uniondale, NY Nassau Veterans Memorial Coliseum
07/14 Hartford, CT The Comcast Theatre
07/16 Scranton, PA Toyota Pavilion
07/17 Burgettstown, PA First Niagara Pavilion
07/18 Cuyahoga Falls, OH Blossom Music Center
07/19 Auburn Hills, MI The Palace of Auburn Hills
07/20 Tinley Park, IL First Midwest Bank Amphitheatre
07/21 Shakopee, MN Canterbury Park
07/23 Kansas City, KS Cricket Wireless Amphitheater
07/24 Maryland Heights, MO Verizon Wireless Amphitheater
07/25 Atlanta, GA Aaron’s Amphitheater at Lakewood
07/26 St. Petersburg, FL Vinoy Park
07/27 West Palm Beach, FL Cruzan Amphitheatre
07/28 Orlando, FL Central Florida Fairgrounds
07/29 Charlotte, NC Verizon Wireless Amphitheater
07/30 Cincinnati, OH Riverbend Music Center
07/31 Milwaukee, WI Marcus Amphitheatre
08/02 Dallas, TX Gexa Energy Pavilion
08/03 San Antonio, TX AT&T Center
08/04 Houston, TX Reliant Center Parking Lot
Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!
It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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