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Free Download: The Pixies Have Released A New Song!

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Alt-rock band The Pixies have released a new song entitled “Bagboy”, their first new material in about 10 years. Their last released recording was 2004’s “Bam Thwok”, which was nearly on the Shrek 2 soundtrack. The video can be seen below and there is also a widget by which you can enter your email and get the song as a free download.

Black Francis: “The lyrics, coincidentally, were composed at a Starbucks Coffee in Harvard Square in Cambridge, about a hundred feet from where, 25 years ago, I composed some of the lyrics to an old Pixies song called ‘Break My Body.’ Twenty-five years later, some Starbucks in Harvard Square…I thought that was kind of interesting. The music for the song has been around for a few years. There are some demos I made with Joey and David a few years ago in Los Angeles, related to a film idea that still has yet to see the light of day, although work on the music continued. So a lot of the musical idea had been kicking around for awhile. It’s pretty simple, kind of a blues-based, two-note kind of thing, really.

On June 13th, the band confirmed that bassist Kim Deal had officially left the band.

I had a bad reaction to your public hobby writings
I get no satisfaction from your very recent sightings

cover your breath
cover your teeth
cover your breath
polish your speech

like when I hear the sound of feet slapping on the runway
like a small bird pretty while it’s crapping on the new day
cover your breath
polish your speech
cover your breath
polish your teeth

so disappointed I was that I had made small talk with you
I’m not feeling your buzz I only smell your crock of stew
polish your teeth
alter your breath
alter your teeth
cover your breath
Bag boy bag boy bag boy bag boy

she had some beauty and manners but you look like a bug
migrations of their type are such good planners and not smug
cover your breath
alter your speech
cover your breath
alter your speech
Bag boy bag boy bag boy bag boy

you are proselytizing alone
listening to the voice with your ears
you have regurgitated the tone
now sat in your tract for many years
picked up from dead things that you licked
it’s a feedback loop you can’t evict
cover your breath
cover your teeth
cover your breath
polish your speech
cover your breath
polish your speech
cover your breath
polish your teeth
polish your teeth
alter your breath
alter your teeth
cover your breath
cover your breath
alter your speech
cover your breath
alter your speech

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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