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Phil Mucci To Direct New Monster Magnet Video For “The Duke”

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Phil Mucci, the mastermind behind music videos for bands such as High On Fire, Opeth, Stone Sour, Das Muerte, and more, and Diabolik have been tapped by stoner rock band Monster Magnet to direct their upcoming music video for “The Duke”, which comes from their latest album Last Patrol (which I highly recommend!).

Mucci describes the video: The untold story of the mysteriously unharmed survivor discovered at ground zero, Hiroshima, Japan, on August 6th, 1945 – an innocent young school girl who may hold the keys to the gates of Hell…

We recently premiered Mucci’s incredible “All Those Delicate Cuts” video from Das Muerte, which you can watch here.

You can listen to “The Duke” below as well as read quotes from cast, crew, and Monster Magnet frontman Dave Wyndorf! Also, make sure to pick up Last Patrol via iTunes.

Director Phil Mucci explains, “When I got the call from Steve Davis about the gig, I was so psyched– but so busy! I’ve been a fan for years, so I was even more blown away when Dave said he’d wait for the video until my schedule permitted. How awesome is that? I was speechless.

Monster Magnet frontman Dave Wyndorf says, “Mr. Mucci operates in a world all his own. His personal distillation of all things cool shows up in every frame of his work. I can’t imagine a more exciting collaboration than Monster Magnet and Phil Mucci… and I have a very good imagination. Fasten your seat belts!

Diabolik has once again assembled a top notch cast, including go-to “man of a thousand faces” Ian Mackay (Pig Destroyer’s “The Diplomat”), British indie film darling Chloe Farnworth (The Devil’s Bargain), legendary b-movie maverick Max Thayer (Ilsa Harem Keeper of the Oil Sheiks, No Retreat No Surrender 2), and last but not least, the sensational Kat David (The Used‘s “Cry”) as “The Siren”.

Phil admits, “The Siren was the hardest part to cast, much harder than I imagined. I was beginning to lose hope when Kat finally answered the call. All I can say is we got extremely lucky – Kat David is one in a million. You can work your whole life and never find talent like hers. She’s going to break hearts.

Kat sounds equally enthusiastic, “I’ve always been fascinated with the nature of evil and so when I read the breakdown I immediately submitted myself. When I first met with Phil and he told me his vision I was blown away with how vividly he could paint a world using just words. Phil Mucci drips passion and his energy is contagious. I’m so honored to have been a part of this incredible team.

Monster Magnet online:
Official Website
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Phil Mucci online:
Diabolik Facebook
Official Website
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Twitter


Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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