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Elizabeth Should Never Have Opened This Tear
If you’ve played BioShock Infinite — and if you haven’t, you should — you’re undoubtedly familiar with Elizabeth’s remarkable ability to open Tears, or windows into parallel universes. It’s a nifty trick, but it also comes with a certain amount of unpredictability. Take this wonderful art, for example. In it, Elizabeth opens a tear revealing the underwater city of Rapture from the original BioShock.
Then, she confidently opens another tear only to be greeted by the dead eyes of SHODAN, the rogue AI from System Shock 2. That’s not good.
The art below will be shown this Saturday at the Bottleneck Gallery in NYC as a part of their When the Lights Go Out 2 exhibit. I do believe that’s a reference to the glow in the dark theme (hence the abundance of green you see below). They’ll also be having a preview sale tomorrow at their website.
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We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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