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‘Jurassic World’ Director Colin Trevorrow Confirms (and Denies) Those Rumors

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We’ve been hearing some pretty crazy rumors about Jurassic World – a movie we’re very excited about – and now director Colin Trevorrow has confirmed some of those rumors in a vastly informative interview over at Slashfilm.

It almost makes me feel kind of bad that we know as much as we do. Trevorrow is surprisingly honest about what’s right (and what’s wrong) about the rumors, but he’s also equally candid about his disappointment in the fact that this info is out there in the first place.

Check out some excerpts below, but only if you feel like opening your presents early. Maybe you want to save a little bit of mystery for this one? You only have to wait until June 12th of next year to see the whole thing.

On his disappointment in the leaks, “That’s the thing about leaks, sometimes they aren’t misinterpreted or false. They’re real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater. But unfortunately, in 2014, you read about it on a computer. Last week was discouraging for everyone on our crew–not because we want to hide things from the fans, but because we’re working so hard to create something full of surprises. When I was a kid, you got to discover everything at once, it washed over you and blew your mind. Now it only takes one person to spoil it for everyone else. I hope whoever leaked it is actively trying to undermine what we’re doing. Because if they’re trying to help, they’re doing it wrong.

The park is fully functional, “[it] takes place in a fully functional park on Isla Nublar. It sees more than 20,000 visitors every day. There is a luxury resort with hotels, restaurants, nightlife and a golf course. And there are dinosaurs. Real ones. You can get closer to them than you ever imagined possible.

On the notion of “bad” dinosaurs, “There’s no such thing as good or bad dinosaurs. There are predators and prey. The T-Rex in Jurassic Park took human lives, and saved them. No one interpreted her as good or bad. This film is about our relationship with animals, how we react to the threat they pose to our dominance on earth as a species. We hunt them, we cage them in zoos, we admire them from afar and we try to assert control over them. Chris Pratt’s character is doing behavioral research on the raptors. They aren’t trained, they can’t do tricks.

That cross-engineered one will be in there, however. “We were hoping audiences could discover this on their own, but yes, there will be one new dinosaur created by the park’s geneticists.

I’ve left a LOT out. If you want to read the whole thing, head over to Slashfilm.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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