Movies
‘Jurassic World’ Director Colin Trevorrow Confirms (and Denies) Those Rumors
We’ve been hearing some pretty crazy rumors about Jurassic World – a movie we’re very excited about – and now director Colin Trevorrow has confirmed some of those rumors in a vastly informative interview over at Slashfilm.
It almost makes me feel kind of bad that we know as much as we do. Trevorrow is surprisingly honest about what’s right (and what’s wrong) about the rumors, but he’s also equally candid about his disappointment in the fact that this info is out there in the first place.
Check out some excerpts below, but only if you feel like opening your presents early. Maybe you want to save a little bit of mystery for this one? You only have to wait until June 12th of next year to see the whole thing.
On his disappointment in the leaks, “That’s the thing about leaks, sometimes they aren’t misinterpreted or false. They’re real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater. But unfortunately, in 2014, you read about it on a computer. Last week was discouraging for everyone on our crew–not because we want to hide things from the fans, but because we’re working so hard to create something full of surprises. When I was a kid, you got to discover everything at once, it washed over you and blew your mind. Now it only takes one person to spoil it for everyone else. I hope whoever leaked it is actively trying to undermine what we’re doing. Because if they’re trying to help, they’re doing it wrong.”
The park is fully functional, “[it] takes place in a fully functional park on Isla Nublar. It sees more than 20,000 visitors every day. There is a luxury resort with hotels, restaurants, nightlife and a golf course. And there are dinosaurs. Real ones. You can get closer to them than you ever imagined possible.”
On the notion of “bad” dinosaurs, “There’s no such thing as good or bad dinosaurs. There are predators and prey. The T-Rex in Jurassic Park took human lives, and saved them. No one interpreted her as good or bad. This film is about our relationship with animals, how we react to the threat they pose to our dominance on earth as a species. We hunt them, we cage them in zoos, we admire them from afar and we try to assert control over them. Chris Pratt’s character is doing behavioral research on the raptors. They aren’t trained, they can’t do tricks.”
That cross-engineered one will be in there, however. “We were hoping audiences could discover this on their own, but yes, there will be one new dinosaur created by the park’s geneticists.”
I’ve left a LOT out. If you want to read the whole thing, head over to Slashfilm.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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