Movies
‘Pacific Rim 2’ Currently Being Scripted!!
Move over Godzilla, the Jaegers are preparing for a second war.
Buzzfeed was luck enough to catch up with Guillermo del Toro, who is out promoting his new FX series “The Strain” at the Austin Television Festival.
Del Toro revealed to the site that he and screenwriter Zak Penn (X-Men: The Last Stand, The Incredible Hulk) have started work on a screenplay for Pacific Rim 2!
“I’m working very, very hard with Zak Penn. We’ve been working for a few months now in secret. We found a way to twist it around. Travis Beacham [co-writer of the first film, now working on Fox’s Hieroglyph] was involved in the storyline and now I’m writing with Zak because Travis has become a TV mogul.”
Del Toro also revealed that the script isn’t going to be a prequel, as rumored, and includes the characters Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kikuchi) — and the story will follow the events of the first movie.
“Some people were wondering if we were going to do the prequel. I was never interested in doing that first wave of invasion,” del Toro said. “I’m going for very new, very crazy ideas on the second one, which are very different from the first one — but you will get really great spectacle.”
While Pacific Rim – from Warner Bros. and Legendary Pictures – didn’t look like a monster hit, it actually made more than $400M worldwide. It’s a hit and a sequel is warranted.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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