Connect with us

Music

Meshuggah Reissuing ‘I’ EP With Bonus Tracks

Published

on

Swedish tech metal masters Meshuggah will be reissuing their 2004 one-track EP I via Nuclear Blast Records. The EP will feature three bonus tracks, “Bleed (live)”, “Dancers To A Discordant System (live)”, and a lesser known track “Pitch Black”.

A full explanation of the EP from drummer Tomas Haake can be read below.

Meshuggah will also be releasing The Ophidian Trek, a live concert DVD/Blu-Ray + 2-CD on September 30th. It can be pre-ordered here.

Drummer Tomas Haake elaborates on the release of I:

This 21 minute madness that is the song ‘I’ is something we’ve always been extremely proud of!! Originally recorded for Jason Popson’s Fractured Transmitter record label, this was a ‘one off’ that NB gave us the go ahead for – as we were under contract with them. Our plan was to just quickly write a little nugget of a song to help our friend Jason to kinda kickstart his label. It wasn’t quick, however. We ended up spending a couple months on this thing as it just kept evolving and kind of took on a life of its own.

This song is really different as it wasn’t ‘written’ in the normal sense, but recorded without anything more than very open guidelines/ideas as to what kind of style we wanted each part to have. For example: The initial 1½ minute drum fill is an excerpt of around a 15 minute recording of me just randomly going off on a kick/tom fill. Once we had chosen which part of it to use, we had to chart out the hits on paper and guitarists Fredrik [Thordendal] and Mårten [Hågström] then basically used sight-reading/Avista to get the hits right while recording.

And this is how we continued through the whole song/process.

We often get the question ‘When will you guys play ‘I’?’ – and though I’m sure it could be done with a lot of listening and hard work, it’s really too unstructured a track. It would take up too much time and effort to make sense.

We’re super stoked now to have this be re-released under the NB flag. Distribution and access to this little demon of a song was never quite what we had wished back when this was released, so we’re thrilled to see it be brought back to life!!

To further add value to this re-release, we added a couple live tracks and another weird little track ‘Pitch Black’ that some of our fans may have heard but probably not all, as it was only released in a limited number. Enjoy!

I track list:
1 – I
2 – Bleed (live)
3 – Dancers To A Discordant System (live)
4 – Pitch Black

meshuggahicover

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

on

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

Continue Reading