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[TV] “True Blood” Series Finale Detailed!

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Please, no tears, it’s a waste of good suffering…

HBO is preparing to flee Bon Temp and has sent Bloody Disgusting the first details on the True Blood” series finale.

Fans can wave goodbye to Sookie and company Sunday, August 24 (9:00-10:00 p.m. ET/PT).

In Episode #80, “Thank You”, the series finale, “Sookie (Anna Paquin) weighs a future with and without Bill (Stephen Moyer). Eric (Alexander Skarsgård) and Pam (Kristin Bauer van Straten) struggle with their uncomfortable partnership with Mr. Gus (Will Yun Lee). Sam (Sam Trammell) makes a choice, while Andy (Chris Bauer) comes upon an unexpected inheritance.

The final episode was written by Brian Buckner and directed by Scott Winant.

“True Blood” was created by Alan Ball; based on the “Sookie Stackhouse” novels by Charlaine Harris; executive producers, Alan Ball, Brian Buckner, Gregg Fienberg and Angela Robinson; co-executive producer, Howard Deutch; supervising producer, Kate Barnow; producers, David Auge and Bruce Dunn; co-producers, Christina Jokanovich, Ronald Cosmo Vecchiarelli and Sunday Stevens.

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‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller

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Pictured: Jennifer Holland in 'Peacemaker'

Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.

B.J. Golnick (“Hunting Hitler”) will be directing Brine.

Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.

When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.

Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.

Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.

“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”

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